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In the follow-up to the National Book Award–longlisted Shutter, Navajo forensic photographer Rita Todacheene grapples with a fanatical serial killer—and the ghosts he leaves behind.

A dual-voice cat-and-mouse thriller, told from the points of view of a killer who has created his own deadly religion and the only person who can stop him, an embattled young detective who sees the ghosts of his Native victims.

In Gallup, New Mexico, where violent crime is five times the national average, a serial killer is operating unchecked, his targets indigent Native people whose murders are easily disguised as death by exposure on the frigid winter streets. He slips unnoticed through town, hidden in plain sight by his unassuming nature, while the voices in his head guide him toward a terrifying vision of glory. As the Gallup detectives struggle to put the pieces together, they consider calling in a controversial specialist to help.

Rita Todacheene, Albuquerque PD forensic photographer, is at a crisis point in her career. Her colleagues are watching her with suspicion after the recent revelation that she can see the ghosts of murder victims. Her unmanageable caseload is further complicated by the fact that half the department has blacklisted her for ratting out a corrupt fellow cop. And back home in Tohatchi on the Navajo reservation, Rita’s grandma is getting older. Maybe it’s time for her to leave policework behind entirely—if only the ghosts will let her . . .

Ramona Emerson is a Diné writer and filmmaker originally from Tohatchi, New Mexico. Her debut novel, Shutter, was longlisted for the National Book Award and the Bram Stoker Award, nominated for the Edgar for Best First Novel, a finalist for the PEN America Open Book Award, the PEN/Hemingway Award, and the Macavity, Barry, and Anthony Awards for Best First Novel, and winner of the Lefty Award for Best First Novel. She has a bachelor’s in Media Arts from the University of New Mexico and an MFA in Creative Writing from the Institute of American Indian Arts. She resides in Albuquerque, New Mexico, where she and her husband, the producer Kelly Byars, run their production company Reel Indian Pictures.