Inhaltsangabe
"George’s background spanning technology, media, and music is a perfect combination to lay the groundwork for what is to come. He lays it out, right here." - Bill Tai, Partner Emeritus, Charles River Ventures.
In Everything In Its Right Place artists, such as Imogen Heap and Ryan Leslie; world-class entrepreneurs/Venture Capitalists, such as Andy Weisman and Bill Tai; innovators, such as DA Wallach and Benji Rogers, and numerous others provide direct and informative first-hand accounts of not only their visions for Blockchain, but the ways in which they are currently utilizing the technology.
The ways in which Blockchain technology will impact the music industry is examined thoroughly, but, as is so often the case, the music industry is a sort of Canary in a Coal Mine; as it goes, so too go other industries. Given these stakes, an understanding of Blockchain is imperative for anyone interested in significant emerging technologies and its applicability to a variety of industries.
Artists - visual, musical, or otherwise - really must educate themselves about these emerging technologies, or suffer the fate of being exploited by those who do.
George Howard is passionate in his hope that some of the pieces compiled in this book inspire those who believe, as he does, in the power of leveraging Blockchain technology (or any other technologies) in a manner that results in more artists not simply sustaining, but thriving on their own terms. After all, art is an empathy machine and, thus/as it follows, more art equals less war.
Über die Autorin bzw. den Autor
George Howard's career has been defined by a passionate drive to leverage technology in order to create dramatic value. Mr. Howard has consistently demonstrated a keen ability to not only discern the technologies that represent opportunity, but to also implement them in a manner that maximizes impact and ROI.
An artist by nature, a JD/MBA by training, and an entrepreneur, academic, and operator in practice, Mr. Howard has started, run, and advised some of the largest and most significant companies in the world; from running the first CD-only label, to driving disintermediation in the distribution industry via co-founding one of the world's largest independent distributors, to defining and implementing the then-nascent Social Media technology for Fortune 500 companies and Ivy League Universities.
All of the above is a byproduct of his personal mission: help artists create sustainable careers on their own terms. He is guided by the deeply-rooted belief that art is an empathy machine, and, thus/as it follows, more art equals less war.
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