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The book is a comprehensive critical history of women performers in Indian theatre and dance of the colonial and postcolonial periods. Its underlying premise is that one cannot evaluate performance in the Indian context without looking at dance and theatre together, unlike the course taken by traditional scholarship. Issues of sexuality and colonialism, and culture and society come together in this study to provide a holistic account of women performers in India. New information and insights have been provided in the discourse by a close reading of archival materials, field surveys and extensive interviews, which are the distinguishing features of this book. The book is divided into two sections. The first one is on the Actress, while the second is on the Danseuse in the Indian context. Although linked by the common trajectory of having been part of the same history, society and culture, they emerge as having evolved in different ways as they encountered some common but many unique situations. In trying to balance a historical narrative with emphasis on crucial individual topics, the book explores the theme of identity and body politics. It demands a pluralistic approach combining history, economics, cultural studies, popular culture, anthropology, ethnography and feminist criticism. It will be a rich resource for professionals, scholars and students specializing in performing arts, cultural studies, gender studies and history. Archival photographs--- some of which have never been published before--- make this book a collector`s item. Contents:- Statement on IAP Study Ghulam Nabi Azad Introduction Health Sector in Rural India Progress of NRHM so Far Health Indicators: Regression Results Evaluation of NRHM: Sample Survey of CHCs and PHCs Evaluation of NRHM: Sample Survey of ANMs, ASHAs, and People`s Participation From the Field: Uttar Pradesh, Madhya Pradesh, and Rajasthan Reducing Under-5 Mortality Non-communicable Diseases Concluding Remarks and Recommendations Printed Pages: 332. Buchnummer des Verkäufers 4725
The book is a comprehensive critical history of women performers in Indian theatre and dance of the colonial and postcolonial periods. Its underlying premise is that one cannot evaluate performance in the Indian context without looking at dance and theatre together, unlike the course taken by traditional scholarship. Issues of sexuality and colonialism, and culture and society come together in this study to provide a holistic account of women performers in India.
About the Author:
Bishnupriya Dutt, daughter of legendary theatre personalities Utpal Dutt and Sova Sen, is currently Associate Professor in Theatre Studies at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi. She was awarded a Ph.D. for her work on ‘Contributions of Theatre Magazines in the Growth and Genesis of Theatre Aesthetics’ from the University of Calcutta. Her recent publications include: ‘Actress Stories: Binodini and Amal Allana’, in Sue Ellen Case and Elaine Aston (eds), Staging International Feminisms (2007).
She received a DAAD fellowship in Germany to study alternate aesthetic models for the theatre in post-colonial India. Dr Dutt has been an active member of the Feminist Working Group of the International Federation of Theatre Research, and has worked with the People’s Little Theatre, the largest repertoire in Calcutta. In 2006, she produced a play based on autobiographies of five actresses, titled Nati. This innovative play had its performance text created through a collaborative effort by the participant actresses.
Urmimala Sarkar Munsi is a Visiting Faculty at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi, where she teaches Dance Studies and Visual Ethnography. She has a Ph.D. in social anthropology on socio-cultural context of tribal and folk dance from Calcutta University. She has continued her post-doctoral work on issues of dance, gender and politics of performance. In March 2005, she was invited as the Artist-in-Residence by the Centre for World Performance Studies, University of Michigan, Ann Arbor. She has travelled widely for her research and has extensively documented traditional communities of professional women performers (Maibi, Nautanki, Nachni, Jogti) in India as a part of her research project.
Titel: Engendering Performance: Indian Women ...
Verlag: Sage Publications
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