Buchnummer des Verkäufers
2013 Audie Award Winner, Audiobook of the Year
Graham Greene’s evocative analysis of the love of self, the love of another, and the love of God is an English classic that has been translated for the stage, the screen, and even the opera house. Academy Award-winning actor Colin Firth (The King's Speech, A Single Man) turns in an authentic and stirring performance for this distinguished audio release.
The End of the Affair, set in London during and just after World War II, is the story of a flourishing love affair between Maurice Bendrix and Sarah Miles. After a violent episode at Maurice's apartment, Sarah suddenly and without explanation breaks off the affair. This very intimate story about what actually constitutes love is enhanced by Mr. Firth's narration, who said "this book struck me very, very particularly at the time when I read it and I thought my familiarity with it would give the journey a personal slant."
"I'm grateful for this honor," Firth said when this production was recognized by the Audie Awards as Audiobook of the Year for 2013, "and grateful for the opportunity to narrate one of my favorite stories. A great novel told in the first person makes for the best script an actor could imagine. None better than The End of the Affair.... Theater and film each offer their own challenges and rewards, but narration is a new practice for me and the audiobook performance provides exhilarating possibilities for both actors and listeners. I'm thrilled to be involved in bringing this remarkable work of fiction to a wider audience, and thankful to Audible for offering me the opportunity to perform it and to engage with so many who share my passion for storytelling."
Review: Set in London during and just after World War II, Graham Greene's The End of the Affair is a pathos-laden examination of a three-way collision between love of self, love of another, and love of God. The affair in question involves Maurice Bendrix, a solipsistic novelist, and a dutifully married woman, Sarah Miles. The lovers meet at a party thrown by Sarah's dreary civil-servant husband, and proceed to liberate each other from boredom and routine unhappiness. Reflecting on the ebullient beginnings of their romance, Bendrix recalls: "There was never any question in those days of who wanted whom--we were together in desire." Indeed, the affair goes on unchecked for several years until, during an afternoon tryst, Bendrix goes downstairs to look for intruders in his basement and a bomb falls on the building. Sarah rushes down to find him lying under a fallen door, and immediately makes a deal with God, whom she has never particularly cared for. "I love him and I'll do anything if you'll make him alive.... I'll give him up forever, only let him be alive with a chance.... People can love each other without seeing each other, can't they, they love You all their lives without seeing You."
Bendrix, as evidenced by his ability to tell the story, is not dead, merely unconscious, and so Sarah must keep her promise. She breaks off the relationship without giving a reason, leaving Bendrix mystified and angry. The only explanation he can think of is that she's left him for another man. It isn't until years later, when he hires a private detective to ascertain the truth, that he learns of her impassioned vow. Sarah herself comes to understand her move through a strange rationalization. Writing to God in her journal, she says:
You willed our separation, but he [Bendrix] willed it too. He worked for it with his anger and his jealousy, and he worked for it with his love. For he gave me so much love, and I gave him so much love that soon there wasn't anything left, when we'd finished, but You.It's as though the pull toward faith were inevitable, if incomprehensible--perhaps as punishment for her sin of adultery. In her final years, Sarah's faith only deepens, even as she remains haunted by the bombing and the power of her own attraction to God. Set against the backdrop of a war-ravaged city, The End of the Affair is equally haunting as it lays forth the question of what constitutes love in troubling, unequivocal terms. --Melanie Rehak
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