Design and Futures

"As Nobel Laureate Herbert Simon famously observed: 'Everyone designs who devises courses of action aimed at changing existing situations into preferred ones.' Designers and futurists, it turns out, have a great deal in common. This mutual recognition is reaching critical mass as each comes to appreciate how their respective traditions have much to offer to making urgent change in the world, and even more so, together." – From the Editors' Introduction

Design and Futures is a landmark collection of essays, manifestos and peer-reviewed articles, edited by Stuart Candy (Carnegie Mellon University) and Cher Potter (Victoria and Albert Museum), documenting 'design futures' discourse and practice around the world. Originally appearing in back-to-back issues of the open access Journal of Futures Studies (Tamkang University Press, Taiwan), the present compilation preserves the original formatting while unifying all 30 pieces between covers for the first time. Topics range from worldbuilding and curriculum design to temporality and decolonisation, as well as new methods and processes that build on over a decade of experiential futures, speculative design and related practices. Design and Futures will be an essential reference for anyone working or studying in either field.

Contributors
• Danah ABDULLA (Brunel University, UK)
• Ahmed ANSARI (Carnegie Mellon University, USA)
• Paola ANTONELLI (Museum of Modern Art, USA)
• Tina AUER (Time’s Up, Austria)
• James AUGER (Madeira Interactive Technologies Institute, Portugal)
• Nik BAERTEN (Pantopicon, Belgium)
• Ralph BORLAND (Independent Artist and Curator, South Africa)
• Tim BOYKETT (Time’s Up, Austria)
• Anne BURDICK (Art Center College of Design, USA; University of Technology Sydney, Australia)
• Stuart CANDY (Carnegie Mellon University, USA)
• Ece CANLI (Independent Scholar, Portugal)
• Kuo-Hua CHEN (Tamkang University, Taiwan)
• David DELGADO (NASA JPL, USA)
• Alida DRAUDT (Strategic Foresight Partners LLC, USA)
• Jake DUNAGAN (Institute for the Future, USA)
• Tony FRY (University of Tasmania, Australia)
• Nik GAFFNEY (FoAM, Belgium)
• JJ HADLEY (Slalom, USA)
• Julian HANNA (Madeira Interactive Technologies Institute, Portugal)
• Dan HILL (Vinnova, Sweden)
• Jeanne HOFFMAN (Tamkang University, Taiwan)
• Ryan HOGAN (Mozilla, USA)
• Jamer HUNT (The New School, USA)
• Anab JAIN (Superflux, UK; University of Applied Arts, Austria)
• Mahmoud KESHAVARZ (Uppsala University, Sweden)
• Matthew KIEM (Independent Scholar, Australia)
• Lucy KIMBELL (University of the Arts London, UK)
• Kelly KORNET (Kalypso, Canada)
• Maja KUZMANOVIC (FoAM, Belgium)
• Ramia MAZÉ (Aalto University, Finland)
• Alex MCDOWELL (University of Southern California, USA)
• Timothy MORTON (Rice University, USA)
• Mugendi K. M’RITHAA (Independent Designer-Researcher, Kenya)
• Leticia MURRAY (Gensler, USA)
• Pedro OLIVEIRA (Heinrich-Heine Universität Düsseldorf, Germany)
• Stefanie A. OLLENBURG (Freie Universität Berlin, Germany)
• DK OSSEO-ASARE (Pennsylvania State University, USA)
• Karla PANIAGUA (CENTRO Advanced Design Institute, Mexico)
• Cher POTTER (University of the Arts London; Victoria and Albert Museum, UK)
• Luiza PRADO (MeetFactory, Czech Republic)
• Aaron ROSA (Fraunhofer Institute for Systems and Innovation Research, Germany)
• Tristan SCHULTZ (Griffith University, Australia)
• Gregory STOCK (Firefly, USA)
• John A. SWEENEY (Narxoz University, Kazakhstan)
• Maya VAN LEEMPUT (Erasmus University College, Belgium)
• Julia Rose WEST (Ancestry, USA)
• Lizzie YARINA (MIT Urban Risk Lab, USA)
• Liam YOUNG (SCI-Arc, USA)
• Leah ZAIDI (Independent Scholar, Canada)