12 pamphlets and 1 poster, 138 total illustrations, 312 total pages. Slim 8vos, printed wrappers, blue elastic band. Brooklyn: Dancing Foxes Press, 2024. New. In original shrink. A multivoiced dance history book, authored by twelve diverse choreographers.1. Introduction poster 45 images. 2. Andros Zins-Browne: Bring Your Folks 20 pp., no images3. Annie-B Parson: Dancing is Living 32 pp., 30 images4. Bebe Miller: This is How Dance Happens 20 pp., 12 images 5. Eiko Otake: Letters 32 pp., 6 images 6. Javier Stell-Fresquez: Storming With Two-Spirits 36 pp., 6 images 7. Keith Hennessey: A History of Dancing 20 pp., no images 8. Mariana Valencia: Dear Reader 28 pp., 8 images 9. Maura Nguyen Donohue: Somewhen Else 36 pp., 8 images 10. Mayfield Brooks: What Came before the Heartbreak 20 pp., 5 images 11. Ogemdi Ude: Watch me 24 pp., 10 images 12. Okwui Okpokwasili: Entangled 20 pp., 1 image 13. thomas f. defrantz: The Future Histories of Black Dance 24 pp., 22 images.

Bestandsnummer des Verk�ufers 324298

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Bibliografische Details

Titel

Dance History(s): Imagination as a Form of Study

Verlag

Wesleyan University Press, Middletown, CT

Erscheinungsjahr

2024

Sprache

Englisch

ISBN-10

0819500909

ISBN-13

9780819500908

Einband

pamphlet

Zustand

fine

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�ber diesen Titel

Inhaltsangabe

A multivoiced dance history book, authored by twelve diverse choreographers In an effort to deepen our understanding of what dance is and how it has functioned throughout human history, this prismatic book project is dedicated to an artist-centric perception of dance history. Diverse dance artists from the American dance field contribute personal views of how dance has unfolded over time, answering the question: "Who is in your imaginary dance family tree, FROM the beginning of time to YOU/now?" Twelve illustrated booklets, each written by a working choreographer, address the subject of dance history from nonacademic, subjective, poetic perspectives. The books model a way of enlarging and complicating how we view dance history by giving the authorial microphone to artists, to learn how their embodied perceptions relate to or diverge from the dominant dance canon. With contributions by mayfield brooks, Thomas F. DeFrantz, Maura Nguyen Donohue, Keith Hennessy, Bebe Miller, Okwui Okpokwasili, Eiko Otake, Annie-B Parson, Javier Stell-Fresquez, Ogemdi Ude, Mariana Valencia, and Andros Zins-Browne. Published by Big Dance Theater, Dancing Foxes Press, and Wesleyan University Press with support of the Howard Gilman Foundation and Virginia and Timothy Millhiser.

�ber die Autorin bzw. den Autor

Annie-B Parson is a choreographer and artistic director of Big Dance Theater. Parson has also made choreography for rock shows, marching bands, movies, museums, objects, television, augmented reality, opera, ballet, theater, symphony orchestras, string quartets, and a chorus of 1,000 amateur singers.

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