Beschreibung
413 pp, numerous ill. Good and clean copy, cover with some traces of wear. Minimal corner bump. - The Dada Painters and Poets offers the authentic answer to the question "What is Dada?" This incomparable collection of essays, manifestos, and illustrations was prepared by Robert Motherwell with the collab- oration of some of the major Dada figures: Marcel Duchamp, Jean Arp, and Max Ernst among others. Here in their own words and art, the principals of the movement create a composite picture of Dada - its convictions, antics, and spirit. First published in 1951, this treasure trove remains, as Jack Flam states in his foreword to the second edition, "the most comprehensive and important anthology of Dada writings in any language, and a fascinat- ing and very readable book." It contains every major text on the Dada movement, including retrospective studies, personal memoirs, and prime examples. The illustrations range from photos of participants, in characteristic Dadaist attitudes, to facsimiles of their productions. / Contents: Acknowledgments -- Foreword by Jack Flam -- Preface -- Introduction, by Robert Motherwell -- List of Illustrations -- I. Pre-Dada -- 1. Exhibition at the Independents, by Arthur Cravan. -- 2 -- 1914 -- . Arthur Cravan and American Dada, by Gabrielle Buffet-Picabia. 1938 -- 3. Memories of an Amnesic (Fragments), by Erik Satie. 1912-13 -- i. What I Am -- ii. The Day of a Musician -- II. En Avant Dada: A History of Dadaism, by Richard -- Huelsenbeck. 1920 -- III. Dada Fragments, by Hugo Ball. 1916-17 -- IV. Merz, by Kurt Schwitters. 1920 -- V. A Dada Personage -- Two Letters, by Jacques Vaché (to André Breton) 1917-18 -- VI. Seven Dada Manifestoes, by Tristan Tzara. 1916-20 -- 1. Manifesto of Mr. Antipyrine -- 2. Dada Manifesto. 1918 -- 3. Proclamation without Pretension -- 4. Manifesto of mr. aa the anti-philosopher -- 5. Manifesto on feeble love and bitter love -- Supplement: how I became charming delightful and delicious Colonial Syllogism -- VII. History of Dada, by Georges Ribemont-Dessaignes. 1931 -- VIII. The Dada Spirit in Painting, by Georges Hugnet. 1932 and 1934 -- 1. Zurich and New York -- 2. Berlin (1918-22) -- 3. Cologne and Hanover -- 4. Dada in Paris -- IX. Three Dada Manifestoes, by André Breton. Before 1924 -- 1. For Dada -- 2. Two Dada Manifestoes -- X. Marcel Duchamp, by André Breton. 1922 -- New York Dada, edited by Marcel Duchamp and Man Ray. New York, April 1921. Facsimile -- XI. Dada Fragments from Zurich -- Notes from a Dada Diary, by Jean (Hans) Arp. 1932 monsieur duval vases with umbilical cords sketch for a landscape End of the World, by Richard Huelsenbeck. 1916 -- XII. Dada Fragments from Paris -- (Two Poems), by Paul Eluard. 1921 -- Project for a History of Contemporary Literature, by Louis -- Aragon. 1922. Facsimile The Magnetic Fields, by André Breton and Philippe Soupault. 1920. Fragment: White Gloves -- XIII. From the Annals of Dada. 1915-22 -- 1. Zurich Chronicle, by Tristan Tzara. 1915-19 -- Collective Dada Manifesto, by Richard Huelsenbeck. 1920 -- 3. Lecture on Dada, by Tristan Tzara. 1922 -- XIV. Some Memories of Pre-Dada: Picabia and Duchamp, by Gabrielle Buffet-Picabia. 1949 La Pomme de Pins, edited by Francis Picabia. St. Raphael, February 25, 1922. Facsimile -- XV. Theo van Doesburg and Dada, by Kurt Schwitters. 1931 -- XVI. Dada Lives! by Richard Huelsenbeck, 1936 -- XVII. Dada XYZ. by Hans Richter. 1948 -- XVIII. Dada Was Not a Farce, by Jean (Hans) Arp. 1949 -- Sophie, by Jean (Hans) Arp. 1946 -- Appendices -- A. The Dada Case, by Albert Gleizes. 1920 -- B. A Letter on Hugnet's "Dada Spirit in Painting," by Tristan Tzara. 1937 -- C. Marcel Duchamp: Anti-Artist, by Harriet and Sidney Janis. 1945 -- D. Sound-Rel. 1919, and Birdlike. 1946, by Raoul Hausmann -- Bibliography -- Did Dada Die? a Critical Bibliography by Bernard Karpel, Librarian, Museum of Modern Art, New York -- Index to Bibliography -- Addenda: Dada Alive and Well, by Benard Karpel. 1981 -- Additiona.
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