The Count of Ironbark Creek. Dieser Artikel ist nicht verfügbar.The Count of Ironbark Creek

One button is a warning. Two means you have been counted. Three means someone will not walk out.
Outdoor guide Miles Calder knows how to manage danger. He trusts maps, weather windows, proper gear, group discipline, and the sort of boring decisions that keep people alive. He does not believe in ghosts, curses, or campfire stories that grow teeth in the dark.
So when producer Tessa Vale hires him to guide a documentary crew into Victoria’s High Country for an episode on Australian urban legends, Miles treats the assignment as a controlled adventure. The subject is the Count of Ironbark Creek, a rumoured figure said to haunt old tracks and abandoned country, leaving carved buttons on branches as warnings to the lost. The story is good television. The landscape is dramatic. The risk, Miles believes, is manageable.
Then the first button appears where no button should be. It is pale, smoothed by hand, and cut with a tally mark that looks too deliberate to be weather and too neat to be chance.
By nightfall, the second arrives inside their camp. By dawn, the third is hanging above the fire ring, one crew member has vanished, and the old legend has become a live search across freezing bushland, hidden tracks, forgotten survey lines, abandoned mine country, and towns that do not want certain questions asked.
As Miles fights to keep the remaining crew together, every clue seems designed to pull them deeper into danger. A torn jacket. A drone recording. A tally tree. A map fragment from a buried past. A voice calling from the trees. A hut that should not exist. A cache of old files. A workshop where the buttons are made. The closer Miles gets to the truth, the harder it becomes to dismiss what the buttons may have been carved from.
The Count may not be what people say he is, but the threat is real, intelligent, and close enough to touch the camp while everyone sleeps. The legend has teeth, the missing have names, and somewhere in the High Country, someone has been counting for years.
The Count of Ironbark Creek is a fast, atmospheric Australian action-adventure thriller about survival, folklore, human manipulation, buried crimes, and the terrifying moment when a story stops being entertainment and starts making decisions for you.

Robert G. Pranic is an Australian author and independent publisher whose fiction spans detective noir, thrillers, action-adventure, science fiction, historical drama, westerns, fantasy, romantasy, horror, and paranormal suspense. An IT solution architect with more than forty years of professional technology experience, Robert brings precision, structure, and systems thinking to his fiction while remaining deeply focused on character, atmosphere, emotional tension, and story momentum. His novels often explore justice, survival, secrecy, ambition, power, moral compromise, and ordinary people forced into extraordinary danger. Writing across multiple genres, Robert has built a broad catalogue of independently published novels through Cinarp Industries, with works ranging from the Detective Barzani mysteries to large-scale science fiction, gothic romance, romantasy, western dramatisations, action thrillers, Australian suspense, and paranormal horror. Robert lives in Australia and continues to write stories for readers who want vivid characters, strong hooks, cinematic pacing, and the feeling that danger is waiting just beyond the next page.