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The third and final volume in the series on Communication Processes, Communication, Culture and Confrontation is a bold attempt at breaking conceptual and methodological impasses which stifle communication studies. Departing from established frameworks and dated technological metaphors such as ‘transmission’, the present volume explores and analyses different forms of communication media in relation to the cultural configurations and contending forces that permeate them. Positioned at the interface of culture and communication studies, the discourse in the book engages with multiple voices, bringing together academic scholars and grassroot social animators. Exploring seven different popular cultural forms, such as rituals, songs, narratives, calendar art, pamphlets, and so on, through 18 case studies, it goes on to suggest a complex model of communication. In this framework, cultures cannot be viewed as items exchanged in the hegemonic space of global communication. Cultural configurations display themselves as ‘evolutive’ forms of social communication that weave human beings into collectives and bind these collectives with one another—all permeated with the power parameter. Cultures ‘perform’ viable collectives when they come to be apprehended in a field of contending forces: a milieu of exchange, encounter, confrontation and possibly conflict. This volume will be invaluable for students of communication, culture studies, sociology and journalism. Printed Pages: 504. Buchnummer des Verkäufers 029604
Inhaltsangabe: The Third Volume in the series Communication Processes engages in understanding processes of communication in relation to cultural configurations and contending forces that permeate them. This volume is positioned at the interface of culture and communication―exploring ways in which interaction, negotiations, and even conflicts are voiced. It re-examines our conception of culture to show that communities cannot be divided into polarities such as ′elite and popular′ or ′dominant and subaltern′―establishing that such clear divisions cannot exist in society. Culture is therefore perceived as a field of contending forces: a milieu of exchange, encounter, confrontation, and possibly conflict.
About the Author:
Bernard Bel is a research engineer currently working at Laboratoire Parole et Langage, Université de Provence, a speech research laboratory of the French National Centre for Scientific Research, Paris. Earlier, he was a member of the Groupe Intelligence Artificielle, Marseille II University. Between 1994 and 1998, he was deputed to Centre de Sciences Humaines (CSH), New Delhi, to carry on projects in musicology and sociocultural anthropology. He has published numerous articles on both subjects and is currently involved in social activism for an improvement of birth practices in French-speaking countries, both as the webmaster of the Naissance portal http://naissance.ws and the secretary of Alliance Francophone pour l’Accouchement Respecté http:/ /www.afar.info.
Jan Brouwer recently retired as Professor of Cultural Anthropology from the North-Eastern Hill University in Shillong. He is presently Professor of Anthropology at the University School of Design, University of Mysore and Honorary Director at the Centre for Advanced Research on Indigenous Knowledge Systems (CARIKS), Mysore. He has many published works to his credit and is currently working on the concept of autonomy and death as a social relation.
Biswajit Das is Associate Professor at the Department of Sociology, Jamia Millia Islamia, New Delhi. He has over two decades of teaching experience and specialized research in communication studies, during which he was also a visiting fellow at the Universities of Windsor, Canada and Hawaii, USA. His research has been supported by various foundations and institutions in India and abroad such as Indo-French Scholarship, Shastri Indo-Canadian Institute, the Indian Institute of Advanced Studies and the Charles Wallace Trust.
Vibodh Parthasarathi, an independent communication theorist and policy consultant based in New Delhi, maintains an interest in the political economy of communication and comparative media practice. His work has gained support from the Charles Wallace India Trust, Charles Leopold Mayer Foundation, Commonwealth Fund for Technical Cooperation, India Foundation for the Arts, and the Netherlands Fellowship Programme. He has also taught at government and private universities in India, besides dabbling in documentaries. ‘Crosscurrents―A Fijian Travelogue’, his last documentary, explored the many faces of ‘reconciliation’ after the decade of coups in the tiny Pacific nation. His current research includes tracing the history of the music industry in twentieth century India.
Guy Poitevin (1934–2004) was born in Mayenne (France). After studying to become a priest and graduating in philosophy and theology, he taught for twelve years in a seminary in Western France. He settled in Pune in 1972 and later became a naturalized Indian citizen. Along with his wife Hema Rairkar, friends and associates, he set up the Village Community Development Association (VCDA, ttp://vcda.ws) in 1978 to support socio-cultural action in remote rural areas, and the Centre for Cooperative Research in Social Sciences (CCRSS, http://ccrss.ws) in 1980 for the purpose of carrying out theoretically related activities. Besides numerous articles, he has written several books in English and French, including translated works from Marathi.
Titel: Communication, Culture and Confrontation
Verlag: Sage Publications
Zustand des Schutzumschlags: New
Auflage: First Edition.
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