Common Ground: German Photographic Cultures Across the Iron Curtain. Dieser Artikel ist nicht verfügbar.
Sprache: Englisch
Verlag: Yale University Press, 2013
- Softcover
- Gebraucht

Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes KönigreichWorldofBooks
Verkäufer:in bei ZVAB seit 16. März 2007
Zustand: Gebraucht - Gut
EUR 7,32
Artikelbeschreibung des Verkäufers
The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Bestandsnummer des Verkäufers GOR005117677
- Titel
- Common Ground: German Photographic Cultures Across the Iron Curtain
- Autor
- James, Sarah
- Verlag
- Yale University Press
- Erscheinungsjahr
- 2013
- Zustand
- Very Good
- Einband
- Paperback
- Sprache
- Englisch
- ISBN-10
- 0300184441
- ISBN-13
- 9780300184440
- Artikelgewicht
- 1.139 Gramm
A groundbreaking examination of post-war photography in East and West Germany
This ambitious publication is the first book to thoroughly evaluate the photography that emerged during Germany’s geopolitical division from the 1950s to the 1980s. With richly illustrated and exhaustively researched analyses of photographic projects from East and West Germany, including exhibitions, photo-essays, private archives, and photo-books, Common Ground constructs a comparative perspective, examining how sequence, seriality, and repetition were mobilized to produce forms of solidarity and political agency.
Author Sarah James places German postwar photography in the context of Soviet, American, and European photographic developments; the specific cultural experiences of the Cold War; and the shifting politics of German identity. By reconsidering the relationship between divergent cultures of the pre-war Weimar period and the Cold War era, Common Ground prompts new readings of major figures such as Bernd and Hilla Becher, Karl Blossfeldt, and August Sander, as well as historically neglected figures such as Karl Pawek, Evelyn Richter, and Rudolf Schäfer. The result is a groundbreaking study of the political and pedagogical functions of documentary photography.
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Über die Autorin bzw. den Autor
Sarah E. James is lecturer, history of art, at University College London.
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