The Collapse of the Conventional: German Film and Its Politics at the Turn of the Twenty-First Century (Contemporary Approaches to Film and Media Studies). Dieser Artikel ist nicht verfügbar.
Sprache: Englisch
Verlag: Wayne State University Press, 2010
Serie: Buch 43 von 112 - Contemporary Approaches to Film and Media
- Softcover
- Neu
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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Softcover
Zustand: Neu
EUR 58,13
Artikelbeschreibung des Verkäufers
In English.
Bestandsnummer des Verkäufers ria9780814333778_new
- Titel
- The Collapse of the Conventional: German Film and Its Politics at the Turn of the Twenty-First Century (Contemporary Approaches to Film and Media Studies)
- Verlag
- Wayne State University Press
- Erscheinungsjahr
- 2010
- Zustand
- New
- Einband
- Softcover
- Sprache
- Englisch
- ISBN-10
- 081433377X
- ISBN-13
- 9780814333778
- Artikelgewicht
- 855 Gramm
- Serie
- Buch 43 von 112: Contemporary Approaches to Film and Media
Analyzes a diverse body of films and investigates the renaissance that has taken place in German cinema since the turn of the twenty-first century.
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Über die Autorin bzw. den Autor
Jaimey Fisher is associate professor of German at the University of California–Davis. He is the author of Disciplining Germany: Youth, Reeducation, and Reconstruction after the Second World War (Wayne State University Press, 2007). He is also co-editor (with Peter Uwe Hohendahl) of Critical Theory: Current State and Future Prospects and (with Barbara Mennel) of Spatial Turns: Space, Place, and Mobility in German Literary and Visual Culture.
Brad Prager is associate professor of German and film studies at the University of Missouri. He is the author of Aesthetic Vision and German Romanticism: Writing Images and The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth. He is also co-editor (with David Bathrick and Michael D. Richardson) of Visualizing the Holocaust: Documents, Aesthetics, Memory.
Brad Prager is associate professor of German and film studies at the University of Missouri. He is the author of Aesthetic Vision and German Romanticism: Writing Images and The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth. He is also co-editor (with David Bathrick and Michael D. Richardson) of Visualizing the Holocaust: Documents, Aesthetics, Memory.
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