The Cinematic Sublime: Negative Pleasures, Structuring Absences

This interdisciplinary volume bridges the disciplines of aesthetics and film studies through an exploration of the cinematic sublime. The works collected here, written by contemporary film scholars and philosophers, apply sublime aesthetics to various film topics and case studies, ranging from early cinema and classical Hollywood to avant-garde film and contemporary digital cinema. Original and wide-ranging, The Cinematic Sublime offers new and exciting insights into how cinema engages with traditional historical and aesthetic discourse, and it will prove a useful resource for both post-graduate students and established scholars interested in the interrelations between film and philosophy.