Inhaltsangabe:
This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1898. Not illustrated. Excerpt: ... CHAPTER II. THE DESIGN AND UNITY OF LUKE'S HISTORY. As has been stated (p. 6), a historian may make a slip in some detail without losing claim to be trustworthy: no man and no historian is perfect. But he must not found his reasoning upon the error. Facts that are fundamental in his argument must be free from slip or fault. There must be no mistake on a critical point. If we consider Luke's design, we shall see that the "error " which forms our subject affects the very life-blood of the work and the atmosphere in which the story moves. But every great work of literature like Luke's History must be reinterpreted by each new age for itself; and it is more useful to describe what views are now held as to the plan and design of that History, than to sketch the design. The consummate literary skill shown in Luke's work must impress every reader, who allows free play to his sense of literary effect. We feel that in this work we have to deal with an author who handles his materials freely and with perfect mastery. The unity of style and treatment in the narrative, its dramatic character, varying according to the country and the action and the character of every speaker, so Greek in Athens, so " provincial" in the Roman colonies Lystra and Philippi, so Hebraic in Galilee or by the Jordan, and so Lukan everywhere -- this character and individuality, shown in numberless ways, make it clear that the author was no clipper-up of fragments from other writers, no mere scissors-and-paste editor of scraps, no mere second-hand composer, dependent on the accidental character of his " sources," according to the elaborate and somewhat pedantic theories that have been fashionable recently in Germany, but are already becoming discredited there. Only a person who has blinded himself to...
Reseña del editor:
This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1898. Not illustrated. Excerpt: ... CHAPTER II. THE DESIGN AND UNITY OF LUKE'S HISTORY. As has been stated (p. 6), a historian may make a slip in some detail without losing claim to be trustworthy: no man and no historian is perfect. But he must not found his reasoning upon the error. Facts that are fundamental in his argument must be free from slip or fault. There must be no mistake on a critical point. If we consider Luke's design, we shall see that the "error " which forms our subject affects the very life-blood of the work and the atmosphere in which the story moves. But every great work of literature like Luke's History must be reinterpreted by each new age for itself; and it is more useful to describe what views are now held as to the plan and design of that History, than to sketch the design. The consummate literary skill shown in Luke's work must impress every reader, who allows free play to his sense of literary effect. We feel that in this work we have to deal with an author who handles his materials freely and with perfect mastery. The unity of style and treatment in the narrative, its dramatic character, varying according to the country and the action and the character of every speaker, so Greek in Athens, so " provincial" in the Roman colonies Lystra and Philippi, so Hebraic in Galilee or by the Jordan, and so Lukan everywhere -- this character and individuality, shown in numberless ways, make it clear that the author was no clipper-up of fragments from other writers, no mere scissors-and-paste editor of scraps, no mere second-hand composer, dependent on the accidental character of his " sources," according to the elaborate and somewhat pedantic theories that have been fashionable recently in Germany, but are already becoming discredited there. Only a person who has blinded himself to...
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