Changing Stages: A View of British Theatre in the Twentieth Century. Dieser Artikel ist nicht verfügbar.
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Sprache: Englisch
Verlag: Bloomsbury Pub Ltd, 2001
- Hardcover
- Gebraucht

Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
Verkäufer/-in mit 5 Sternen
Verkäufer:in bei ZVAB seit 24. März 2009
Nicht verfügbar
Hardcover
Zustand: Gebraucht - Befriedigend
EUR 6,28
Artikelbeschreibung des Verkäufers
Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Bestandsnummer des Verkäufers G0747547890I3N00
- Titel
- Changing Stages: A View of British Theatre in the Twentieth Century
- Autor
- Richard Eyre; Nicholas Wright
- Verlag
- Bloomsbury Pub Ltd
- Erscheinungsjahr
- 2001
- Zustand
- Good
- Schutzumschlag
- No Jacket
- Einband
- Hardcover
- Sprache
- Englisch
- ISBN-10
- 0747547890
- ISBN-13
- 9780747547891
- Artikelgewicht
- 3,15 Pfund
In 1997 Sir Richard Eyre was invited to write and present a series of programmes for the BBC about the history of the British theatre in the twentieth century. He decided to write a book first and then to base his TV series upon it. This is that book.
Together with Nicholas Wright, an associate director of the Royal National Theatre during Eyre's ten-year directorship, he has written what they describe as 'a partial, personal and unscholarly view of the century's theatre.'
The authors state their credo at the outset: that the greatest asset to the British theatre is the English language, which, of course, we share with the Irish and the Americans. This asset is in turn magnified by the 'miraculous accident' that is Shakespeare - 'the DNA of British theatre'. Changing Stages traces the way in which Shakespeare's plays have been used as nationalistic pageants, star vehicles, and contemporary metaphors, mirroring changes in society over the century.
Together with Nicholas Wright, an associate director of the Royal National Theatre during Eyre's ten-year directorship, he has written what they describe as 'a partial, personal and unscholarly view of the century's theatre.'
The authors state their credo at the outset: that the greatest asset to the British theatre is the English language, which, of course, we share with the Irish and the Americans. This asset is in turn magnified by the 'miraculous accident' that is Shakespeare - 'the DNA of British theatre'. Changing Stages traces the way in which Shakespeare's plays have been used as nationalistic pageants, star vehicles, and contemporary metaphors, mirroring changes in society over the century.
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Über die Autorin bzw. den Autor
Nicholas Wright was an associate director of the National Theatre from 1984-1998.
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