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Burnt Bridges : A Souvenir of the Singing Sixties and Beyond

Marowitz, Charles

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ISBN 10: 0340496592 / ISBN 13: 9780340496596
Verlag: Hodder & Stoughton, Limited, London, United Kingdom, 1992
Gebraucht Zustand: Very Good Hardcover
Verkäufer PsychoBabel & Skoob Books (Didcot, OXON, Vereinigtes Königreich)

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Beschreibung

Faint remains of price sticker on front cover, otherwise in excellent condition. A personal account of the 1960s from the director of the Open Space Theatre. The text is interspersed with cameos and reminiscences of the people Marowitz worked with and knew, such as Harold Pinter, Spike Milligan, Glenda Jackson and Joe Orton Size: 8vo - over 7¾" - 9¾" tall. Buchnummer des Verkäufers 006401

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Bibliografische Details

Titel: Burnt Bridges : A Souvenir of the Singing ...

Verlag: Hodder & Stoughton, Limited, London, United Kingdom

Erscheinungsdatum: 1992

Einband: hardcover

Zustand:Very Good

Zustand des Schutzumschlags: Very Good

Art des Buches: Clean Copy

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Inhaltsangabe:

A personal account of the 1960s from the director of the Open Space Theatre. The text is interspersed with cameos and reminiscences of the people Marowitz worked with and knew, such as Harold Pinter, Spike Milligan, Glenda Jackson and Joe Orton.

From Publishers Weekly:

Marowitz, artistic director of London's Open Space Theatre during 1968-1980, recalls life at the vanguard of experimental theater in this highly analytical yet often humorous memoir. After moving to London from New York City in 1956, Marowitz worked as a drama critic for such publications as the Village Voice and Encore , failed as an actor, and found his niche as a director and playwright. Lenny Bruce, Harold Pinter and Sam Shepard make his acquaintance here; he praises late theater critic Kenneth Tynan, slings barbs at actress Vanessa Redgrave, remembers his powerful first impression of actress Glenda Jackson and discusses his direction of the first production of ill-fated playwright Joe Orton's Loot. Readers hear of the manic energy and idealism that fueled contemporary stagings at the Open Space, absurd "happenings," street theater and poetry readings. Marowitz's passion for his metier is apparent as he cerebrally evaluates his peers and evinces disdain for pretentious theatergoers; nostalgia, intellectualism and deft turns of phrase characterize this look back at anti-Establishment artistry. Illustrated.
Copyright 1992 Reed Business Information, Inc.

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