Inhaltsangabe
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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<sourceLibrary>Harvard University Fine Arts Library
<ESTCID>N008987
<Notes>The second part has a sparate titlepage reading: 'The practice of perspective; being the second book of Dr. Brook Taylor's method of perspective made easy, &c.', with separate pagination and register. The plates are in two numbered sequences, occasionally found bound in a separate folio volume.
<imprintFull>London : printed for the author, by Mess. Francklin and Bunce: and sold by T. Payne; J. Dodsley; T. Longman; R. Horsefield; T. Davies; and J. Robson, 1765. <collation>xvi,104;xii,95,[3]p.,plates ; 4°
Reseña del editor
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
Harvard University Fine Arts Library
N008987
The second part has a sparate titlepage reading: 'The practice of perspective; being the second book of Dr. Brook Taylor's method of perspective made easy, &c.', with separate pagination and register. The plates are in two numbered sequences, occasionally found bound in a separate folio volume.
London : printed for the author, by Mess. Francklin and Bunce: and sold by T. Payne; J. Dodsley; T. Longman; R. Horsefield; T. Davies; and J. Robson, 1765. xvi,104;xii,95,[3]p.,plates ; 4°
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