Created as a companion volume to a major history of colour in British Cinema (also by Sarah Street), British Colour Cinema is a book based on a series of unique interviews conducted by Sarah Street and Elizabeth I Watkins with practitioners who worked in the UK with Technicolor and/or Eastmancolor during the 1930s-1950s.

�ber die Autorinnen und Autoren

SIMON BROWN is Director of Studies for Film and Television at Kingston University. His work has been published in the journals Film History, Film Studies, Science Fiction Film and Television, Early Popular Visual Culture and Critical Studies in Television. He is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Sarah Street and Liz Watkins) and author of the Technical Appendix in Sarah Street's Colour Films in Britain: The Negotiation of Innovation 1900-55 (BFI, 2012).

Sarah Street is Professor of Film at the University of Bristol, UK.

LIZ WATKINS is a lecturer at the University of Leeds, UK. She has published articles in a number of film journals, including Parallax, Paragraph and the British Journal of Cinema and Television. She is co-editor, with Simon Brown and Sarah Street, of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012).

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