Did we "know" the gas chambers were there? Could we have destroyed them? Why didn’t we bomb?
For decades, debate has raged over whether the Allies should have bombed the gas chambers at Auschwitz and the railroads leading to the camp, thereby saving thousands of lives and disrupting Nazi efforts to exterminated European Jews. Was it truly feasible to do so? did failure to do so simply reflect a callous indifference to the plight of the Jews or was it a realistic assessment of a plan that could not succeed? In this volume, a number of eminent historians address and debate those very questions.
Published in association with the United States Holocaust Memorial Museum, this is the first paperback edition of a book that has been widely hailed by critics and cited by Kirkus Reviews as "the definitive resource for understanding this deeply troubling episode in the twentieth century’s greatest horror." Prominent scholars such as Sir Martin Gilbert, Walter Laqueur, Michael Berenbaum, Gerhard Weinberg, and Williamson Murrag offer a diverse array of mutually supporting and competing perspectives on the subject. In the process, they shed important light on how much knowledge of Auschwitz Allied intelligence actually had and on what measures the Allies might have taken to halt the killing.
The book is also rich in documentary evidence--including the correspondence of Churchill, Roosevelt, Cordell Hull, Anthony Eden, and John McCloy--that reveals just how much these men knew about the situation and what they thought about its potential resolution. It also includes a selection of the most important documents and aerial reconnaissance photos from 1944 exploring the feasibility of an air strike.
Ultimately, these contributions show that the dilemma over Auschwitz was far more complex than criticisms of inaction would suggest. The Bombing of Auschwitz is an unusual volume that confronts life-and-death questions and addresses a matter of enduring interest for all readers of World War II and Holocaust history.
Introduction to the Controversy, Michael J. Neufeld
I. Allied Knowledge and Capabilities
1. The Allies and the Holocaust, Gerhard L. Weinberg
2. Auschwitz Partially Decoded, Richard Breitman
3. Allied Air Power: Objectives and Capabilities, Tami Davis Biddle
4. The Aerial Photos of the Auschwitz-Birkenau Extermination Complex, Dino A. Brugioni
II. Bombing Auschwitz: For and Against
5. The Contemporary Case for the Feasibility of Bombing Auschwitz, Martin Gilbert
6. The Allies and Auschwitz: A Participant’s View, Gerhart M. Riegner
7. The Bombing of Auschwitz Re-Examined, James H. Kitchens III
8. The Bombing of Auschwitz Revisited: A Critical Analysis, Richard H. Levy
9. Could the Allies Have Bombed Auschwitz-Birkenau?, Stuart G. Erdheim
10. Bombing Auschwitz: U. S. Fifteenth Air Force and the Military Aspects of a Possible Attack, Rondall R. Rice
III. New Perspectives on the Controversy
11. Auschwitz, Walter Laquer
12. Bombing Auschwitz and the Politics of the Jewish Question During World War II, Henry L. Feingold
13. Monday-Morning Quarterbacking and the Bombing of Auschwitz, Williamson Murray
14. The Bombing of Auschwitz: Comments on a Historical Speculation, Richard G. Davis
15. The Failure to Rescue and Contemporary American Jewish Historiography of the Holocaust: Judging from a Distance, Deborah E. Lipstadt
IV. Documents
1. Preliminaries
2. The First Appeals to the Americans
3. The Appeal to the British
4. The Later Appeals to the Americans
Notes
Select Bibliography
Index
Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
