A Heart at the Center

Warehouses and Wardrobe Closets: A Gossip Girl Story

There were no shiny hotels, mansions, or skyscrapers around—instead you saw only old warehouses, water towers, fire escapes, and a giant smokestack. The area looked more like a rundown shipping quarter than a luxurious backdrop for filming. But the set of Gossip Girl was located in this gritty New York City neighborhood.

For two months in my early twenties, I interned in the Gossip Girl wardrobe closet, and I can tell you that the show's closet was just as unfancy as the studio's location. It looked nothing like the fashion hub that people might've expected it to be. It looked like a dry-cleaning business.

Picture a big room with plain beige walls, a bare cement floor, and industrial fluorescent lights hanging from the ceiling. Racks of clothes were stacked two-high, with so many different pieces of clothing smashed onto them—any and every pattern, style, texture, and color—that nothing seemed to match or coordinate at all. Boxes that held designer shoes were piled haphazardly. Signature gowns could go completely unnoticed. Most of the clothes you couldn't even see; everything seemed lost among endless wire hangers and cheap plastic garment bags.

There is a reason why none of this ever made it to the TV screen.

If you know anything about Gossip Girl, you probably know it told stories of a group of young socialites from New York City's (very wealthy, very fancy) Upper East Side. The characters on the show lived lives that were spilling over with posh parties, expensive fashion, jet-setting travel, and ritzy gifts. Week after week, lavishness and glamour played out on-screen.

So it shouldn't be surprising that bland warehouses and unassuming wardrobe closets weren't what people saw when they tuned in to Gossip Girl. Even though the warehouse and the wardrobe were important parts of what made the show work, they weren't what the show was about. The people who ran the show had decided what it was about, and that was Manhattan fantasy. Shimmering sets. Opulence. Fifth Avenue glam.

In making that decision, whether they realized it or not, the people in charge had also made another decision. That's because deciding what a show is about means also deciding what the show isn't about. If your story centers on New York glitz, then you're not going to be filming back lots and badly lit closets and streets in Queens. That's why the less-than-glamorous side of Gossip Girl never showed up on a TV screen. Most of it wasn't ever filmed at all.

This principle—the warehouses and wardrobe closets principle—is also true when we look at the Bible.

The Bible tells a story. It's one big story made up of lots of smaller stories, much like how a TV show is one big series made up of smaller episodes. All the stories in the Bible are about something. They're about the big story. In the next chapter, we're going to take a good look at what that big story is and what it means. Before we do that, though, we're going to take a good look at what the big story of the Bible isn't.

What it doesn't center on.

What it spends extremely little time mentioning.

These things that aren't the Bible's big story can often be clues for us, if we pay attention to them. That's because the Bible is the most important message ever. And the most important message ever wouldn't be missing something so vital. So if an issue gets barely any page space in the Bible, that's saying something about how unimportant the issue probably is.

We can take this logic one step further: If an issue almost never shows up in the Bible, yet in our lives we treat that issue as if it's supremely important, we're probably really missing the point of things.

For example, the Bible has almost nothing to say about physical appearance.

Looking into the Looks Void

If you're familiar with the Bible, think about some of the most well-known stories in it, and think of the people in the stories. What did those people look like?

• Abraham—was he tall or short?

• David—did he have freckles, or didn't he?

• Deborah—was her hair curly or straight or some kind of wavy in-between?

• Mary, Jesus' mother—were her eyes widely or narrowly set, almond-shaped or round, dark or light in color?

For us, any attempt to answer questions like these would be just a guess. We don't have the information because the details aren't included in the Bible anywhere. In fact, if we were to read the Bible from beginning to end, looking for specifics about people's physical attributes, we wouldn't find much.

Among the thousands of people mentioned in the Bible's pages, there's an extremely small number of them whose looks get any page space at all. We know limited details like: Esau was red and hairy, and his brother, Jacob, wasn't. Leah had dull eyes, and her sister Rachel was beautiful. Saul was tall. David was handsome. Eglon was overweight. Zacchaeus was short.

It's not a lot. But even when a few particulars about appearance do show up in the Bible, they're typically just tiny pieces in a story that's really about something else. Esau's hairiness is worth mentioning because when Jacob pretended to be Esau, he had to wear animal skins on his arms. Leah and Rachel's physical differences played into their competitive, jealous relationship. Saul's height made him a desirable king for Israel. David's handsomeness was just one more thing that made Saul hate him. Eglon's weight is mentioned in the story of his assassination—the dagger that killed him had sunk into his belly fat. Zacchaeus was too short to see Jesus over the crowds, so he climbed a tree to obtain a better...