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Babes in Toyland: The Making and Selling of a Rock and Roll Band

Karlen, Neal

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ISBN 10: 0380726025 / ISBN 13: 9780380726028
Verlag: Avon Books (P), US, 1995
Gebraucht Zustand: Very Good Softcover
Verkäufer Robinson Street Books, IOBA (Binghamton, NY, USA)

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0380726025 Very good. Some creasing * Quality, Value, Experience. Media Shipped in New Boxes. Buchnummer des Verkäufers WARE91KR127

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Bibliografische Details

Titel: Babes in Toyland: The Making and Selling of ...

Verlag: Avon Books (P), US

Erscheinungsdatum: 1995

Einband: Paperback

Zustand:Very Good

Über diesen Titel

Inhaltsangabe:

This story of how a Minneapolis garage band was discovered by Warner Records' legendary Tim Carr and made a name for itself in the grunge rock scene takes a rare peek into the glamorous--and tough--world of rock and roll, as it follows this idealistic band on the road to fame and success.

From Kirkus Reviews:

A tour of the contemporary pop music industry with one of America's most promising new bands, whose three members happen to be women. A nail-spitting punk trio of potential long-term influence that reserves the right to be both attractive and assertive, Babes in Toyland is one of the first all-female rock groups to earn widespread renown. Former Rolling Stone editor Karlen documents the Babes' pursuit of both fame and punk rigor; their long nights on the road; their difficulties with record execs, hangers-on, and one another. He also peeks into the world of enigmatic A&R man Tim Carr, who brought the Babes to Warner Music, then struggled to win them attention with a minuscule ad budget in a climate in which MTV's Beavis and Butt-head are the ultimate arbiters of cool. Karlen is sometimes more interested in his subjects' reputation than in their talent, so the content of their music gets scant attention; almost no lyrics are offered, despite the author's assertion that lead singer Kat Bjelland is a poet. But he's lucky- -the three Babes are intriguing women: Lori Barbero, the first female drummer embraced by rock's mostly male establishment; the orphaned, waifish Bjelland, whose performances resemble primal therapy; and Michelle Leon, a brainy 19-year-old whose boyfriend's murder, recounted here, causes her to leave the band. All three (and Maureen Herman, Leon's replacement) are role models for a new generation of female musicians intent on making a place for women in rock 'n' roll. Karlen's hyper-rhetoric sometimes intrudes, but he isn't oblivious to the ironies in Warner's effort to sell the Babes without sacrificing their street credibility. Recommended for moms and dads whose daughters want to grow up to be rock musicians--and (of course) their rockin' daughters. (Author tour) -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.

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