Buchnummer des Verkäufers
Inhaltsangabe: With the same emotional generosity and effortlessly compelling storytelling that made All Over But the Shoutin’ a national bestseller, Rick Bragg continues his personal history of the Deep South. This time he’s writing about his grandfather Charlie Bundrum, a man who died before Bragg was born but left an indelible imprint on the people who loved him. Drawing on their memories, Bragg reconstructs the life of an unlettered roofer who kept food on his family’s table through the worst of the Great Depression; a moonshiner who drank exactly one pint for every gallon he sold; an unregenerate brawler, who could sit for hours with a baby in the crook of his arm.
In telling Charlie’s story, Bragg conjures up the backwoods hamlets of Georgia and Alabama in the years when the roads were still dirt and real men never cussed in front of ladies. A masterly family chronicle and a human portrait so vivid you can smell the cornbread and whiskey, Ava’s Man is unforgettable.
Review: The same fierce pride and love that animated All Over but the Shoutin' glow in Rick Bragg's new book. In fact, he informs us in the prologue that it was the readers of his bestselling 1997 memoir about his mother's struggle to raise three sons out of dire poverty who told him what he had to write about next. "People asked me where I believed my own momma's heart and backbone came from ... they said I short-shrifted them in the first book." Bragg sets out to make amends in this heartfelt biography of his maternal grandfather, Charlie Bundrum, who with wife Ava nurtured seven children through hard times that never seemed to ease in rural Alabama and Georgia. "He was a tall, bone-thin man who worked with nails in his teeth and a roofing hatchet in a fist as hard as Augusta brick," writes Bragg, "who inspired backwoods legend and the kind of loyalty that still makes old men dip their heads respectfully when they say his name." Charlie's children adored him so much that 40 years after his premature death in 1958 at age 51, Bragg's elderly aunts and mother began to cry when asked about him. Chronicling Charlie's hardscrabble life in the flinty, expressive cadences of working-class Southern speech, Bragg depicts a rugged individual who would find no place in the homogenized New South. The marvelous stories collected from various relatives--Charlie facing down a truckload of mean drunks with a hammer, hatchet, and 12-gauge shotgun, or brewing illegal white whiskey in the woods ("He never sold a sip that he did not test with his own liver")--are not just snapshots of a colorful character. They're also the author's tribute to an oral culture with tenacious roots and powerful significance in the American South. --Wendy Smith
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