Buchnummer des Verkäufers
Inhaltsangabe: Culture is a dynamic and open-ended process rather than a repertoire of buildings, works and objects, particularly when seen through a city as forceful and splendid as Venice. It involves a vast array of historically determined yet contingent forms and practices entangled in identity formations. Brought together to celebrate Professor Deborah Howard's leading role in fostering a historically grounded and interdisciplinary approach to the art and architecture of Venice, the essays in this volume examine the connections and rapports between these two notions - art and identity - through the discussion of patronage, space (domestic and ecclesiastical), and dissemination of architectural knowledge as well as models within Venice, its territories and beyond. Based on hitherto untapped archives and primary sources, the essays gathered here address the notion of identity in its diversity, including as self-representation, spatial strategy, visual and semantic discourses or imperial aspirations. Employing interdisciplinary modes of interpretation, these studies offer ground-breaking analysis of canonical sites, works of art and architects such as Jacopo Sansovino and Andrea Palladio, as well as bringing to attention a new set of art patrons. They also offer innovative insights into architectural theory and practice linked to cross-cultural exchanges. In so doing these studies draw together citizens and nobles, past and present, the real and the symbolic, space and sound, the city and its parts, Venice and Stato da Mar, the Serrenissimo and the Sublime Port.
Inhaltsangabe: Cities are shaped as much by a repertoire of buildings, works and objects, as by cultural institutions, ideas and interactions between forms and practices entangled in identity formations. This is particularly true when seen through a city as forceful and splendid as Venice. The essays in this volume investigate these connections between art and identity, through discussions of patronage, space and the dissemination of architectural models and knowledge in Venice, its territories and beyond. They celebrate Professor Deborah Howard?s leading role in fostering a historically grounded and interdisciplinary approach to the art and architecture of Venice. Based on an examination and re-interpretation of a wide range of archival material and primary sources, the contributing authors approach the notion of identity in its many guises: as self-representation, as strong sub-currents of spatial strategies, as visual and semantic discourses, and as political and imperial aspirations. Employing interdisciplinary modes of interpretation, these studies offer ground-breaking analyses of canonical sites and works of art, diverse groups of patrons, as well as the life and oeuvre of leading architects such as Jacopo Sansovino and Andrea Palladio. In so doing, they link together citizens and nobles, past and present, the real and the symbolic, space and sound, religion and power, the city and its parts, Venice and the Stato da Mar, the Serenissima and the Sublime Port.
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