Inhaltsangabe:
The result of a trailblazing project to recover lost texts from the ancient world, these books describe and illustrate the discovery and recovery of erased texts in the Archimedes Palimpsest, the unique source for two treatises by Archimedes, lost speeches by the Athenian orator Hyperides and a commentary on Aristotle's Categories.
Críticas:
'The imminent massive publication of a complete facsimile and transcription will be a huge gift to the study of ancient mathematics.' Alexander Jones, Wall Street Journal
'There is enormous expectation in the scholarly community about the arrival of the first copies of a new book from Cambridge University Press, which contains full color images of the palimpsest, a technical account of how the images were made and complete transcriptions of the texts. It's too early to say whether this will revolutionize our understanding of Greek mathematics, but it will contain new texts thought to have been lost forever by the Greek orator Hyperides and the most complete versions of several works by Archimedes, including two books which exist only in this manuscript. This is the iceberg in full view, a massive tome that took more than a decade to produce, recovering - perhaps as fully as can ever be hoped - texts that miraculously escaped the oblivion of decay and destruction.' The Washington Post
'For a beautiful classical book - and I mean for the quality of the printed object itself as much as for its contents - first prize goes to the two-volume Archimedes Palimpsest ... the amazing images in the book, revealing how the decipherment has been pulled off, are as remarkable as the contents.' Mary Beard, The Times Literary Supplement
'Cambridge University Press have surpassed themselves: these are, quite simply, among the loveliest printed books produced this century. Both volumes contain hundreds of photographs, all in breathtaking full colour; the type is elegant and spacious, and the page proportions of the layout are beautifully harmonious. It is a joy that serious books of such extraordinary art can still be produced.' The Times Literary Supplement
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