Another England. Dieser Artikel ist nicht verfügbar.
Sprache: Englisch
Verlag: L'artiere Apr 2026, 2026
- Hardcover
- Neu

Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer:in bei ZVAB seit 14. August 2006
Zustand: Neu
EUR 93,12
Artikelbeschreibung des Verkäufers
Neuware - A surreal, AI-crafted vision of rural Britain — where nostalgia, myth, and machine intelligence collide in Phillip Toledano’s most cinematic work yet.Another England is the second chapter in Phillip Toledano’s ongoing exploration of "historical surrealism." Through a series of meticulously imagined fictions—where jellyfish light Devonshire streets, Thatcher’s face looms from the cliffs of Dover, and foxes form insurgent armies—the book reconstructs an alternate national memory. Created in collaboration with AI, the work mirrors our age of synthetic truth: a Britain both familiar and fantastical, where nostalgia and invention blur until history itself becomes performance. Toledano’s images are haunting, cinematic, and darkly humorous—each frame a plausible impossibility that probes the nation’s uneasy relationship with identity, empire, and myth. As with Another America, this new volume continues his visual archaeology of the invented past, inviting us to question not only what we remember, but who is doing the remembering.…
Bestandsnummer des Verkäufers 9791280978264
- Titel
- Another England
- Autor
- Phillip Toledano
- Verlag
- L'artiere Apr 2026
- Erscheinungsjahr
- 2026
- Zustand
- Neu
- Einband
- Buch
- Sprache
- Englisch
- ISBN-13
- 9791280978264
- Artikelgewicht
- 720 Gramm
- Abmessungen
- 283x248x14 mm
Another England is the second chapter in Phillip Toledano’s ongoing exploration of “historical surrealism.” Through a series of meticulously imagined fictions—where jellyfish light Devonshire streets, Thatcher’s face looms from the cliffs of Dover, and foxes form insurgent armies—the book reconstructs an alternate national memory. Created in collaboration with AI, the work mirrors our age of synthetic truth: a Britain both familiar and fantastical, where nostalgia and invention blur until history itself becomes performance. Toledano’s images are haunting, cinematic, and darkly humorous—each frame a plausible impossibility that probes the nation’s uneasy relationship with identity, empire, and myth. As with Another America, this new volume continues his visual archaeology of the invented past, inviting us to question not only what we remember, but who is doing the remembering.
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