Amitav Ghosh's

Part One— 1. The Shadow Lines as a Memory Novel–Manjula Saxena; 2. The Narrator and the Chronicling of Self in The Shadow Lines–Premindha Bannerjee; 3. Interrogating the Nation, Growing Global in The Shadow Lines–Someshwar Sati; 4. Nation as Identity in The Shadow Lines–Alka Kumar; 5. The Shadow Lines between Freedom and Violence–Alpana Neogy; 6. Time and Space in The Shadow Lines–Arvind Chowdhary; 7. Tha’mma My Grandmother: Imaging the Elderly in The Shadow Lines–Roopali Sircar; 8. Imagery in The Shadow Lines–Rita Joshi; 9. ‘Going Away’ and ‘Coming Home’: The Shadow Lines and the Travel Motif in Children’s Fiction–Nivedita Sen—Part Two—10. Nationalism and the Question of Freedom in The Shadow Lines: A Gender Perspective–Meenakshi Malhotra; 11. Lines and Their Shadows: A Reading of Gender Roles in Amitav Ghosh’s The Shadow Lines–Angelie Multani; 12. A Post-colonial Interpretation of The Shadow Lines–Promilla Garg; 13. Violence in The Shadow Lines: Nationalist Rhetoric and Historical Silence–Rudrashish Chakraborty; 14. The Bengalee in The Shadow Lines–Minoti Chatterjee—Part Three—15. The Shadow Lines in Context–Aditya Bhattacharjea; Chronology in The Shadow Lines –Arvind Chowdhary; A Family Tree: Indian Characters