American Genius: A Comedy. Dieser Artikel ist nicht verfügbar.
323 Bewertungen von Goodreads
Sprache: Englisch
Verlag: Soft Skull Press, 2019
- Softcover
- Gebraucht

Anbieter: Housing Works Online Bookstore, New York, NY, USAHousing Works Online Bookstore
Verkäufer/-in mit 5 Sternen
Verkäufer:in bei ZVAB seit 20. Dezember 2004
Nicht verfügbar
Softcover
Zustand: Gebraucht - Gut
EUR 4,58
Artikelbeschreibung des Verkäufers
Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.
Bestandsnummer des Verkäufers AG5-03296
- Titel
- American Genius: A Comedy
- Autor
- Tillman, Lynne
- Verlag
- Soft Skull Press
- Erscheinungsjahr
- 2019
- Zustand
- Very Good
- Einband
- Softcover
- Sprache
- Englisch
- ISBN-10
- 1593763115
- ISBN-13
- 9781593763114
Named a Best Book of the Century by Vulture
"Tillman’s beautifully constructed sentences create their own propulsion, able to take a reader in any direction at any moment . . . the book confirms the ultimate primacy of literary voice, of which this is a rare triumph."―Vulture
“I won’t always be here, and if I consider that, and regularly remind myself that I only have to be in a particular situation for an hour or two, whether I’m unhappy or not, I can manage it. I’ve been cold and miserable; I’ve been lost; deceived; I’ve been bored silly; drunk; my underpants have been wet from nervous agitation; the skin on my inner thighs has chafed to a fiery red from rubbing against wool; I’ve been robbed; fainted from shock; and I’ve been alarmed beyond words or stricken with fear hearing bitter words flare between friends in freakish eruptions of hatred in bizarre locations, since most sites are not right for confrontation, and when I have no right to speak and no involvement, except self-protection, I have become itchy, my skin a plane of heat, as if a match had been struck against it and my entire body set ablaze. But I was able to withstand it, only because I knew it would end.”
In the hypnotic, masterful American Genius, A Comedy, a former historian spending time in a residential home, mental institute, artist’s colony, or sanitarium, is spinning tales of her life and ruminating on her many and varied preoccupations: chair design, textiles, pet deaths, family trauma, a lost brother, the Manson family, the Zulu alphabet, loneliness, memory, and sensitive skin―and what “sensitivity” means in our culture and society. A new edition of a contemporary classic, with an introduction by novelist Lucy Ives.
"Tillman’s beautifully constructed sentences create their own propulsion, able to take a reader in any direction at any moment . . . the book confirms the ultimate primacy of literary voice, of which this is a rare triumph."―Vulture
“I won’t always be here, and if I consider that, and regularly remind myself that I only have to be in a particular situation for an hour or two, whether I’m unhappy or not, I can manage it. I’ve been cold and miserable; I’ve been lost; deceived; I’ve been bored silly; drunk; my underpants have been wet from nervous agitation; the skin on my inner thighs has chafed to a fiery red from rubbing against wool; I’ve been robbed; fainted from shock; and I’ve been alarmed beyond words or stricken with fear hearing bitter words flare between friends in freakish eruptions of hatred in bizarre locations, since most sites are not right for confrontation, and when I have no right to speak and no involvement, except self-protection, I have become itchy, my skin a plane of heat, as if a match had been struck against it and my entire body set ablaze. But I was able to withstand it, only because I knew it would end.”
In the hypnotic, masterful American Genius, A Comedy, a former historian spending time in a residential home, mental institute, artist’s colony, or sanitarium, is spinning tales of her life and ruminating on her many and varied preoccupations: chair design, textiles, pet deaths, family trauma, a lost brother, the Manson family, the Zulu alphabet, loneliness, memory, and sensitive skin―and what “sensitivity” means in our culture and society. A new edition of a contemporary classic, with an introduction by novelist Lucy Ives.
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Über die Autorin bzw. den Autor
Lynne Tillman is a novelist, short story writer, and cultural critic. Her novels are Haunted Houses; Motion Sickness; Cast in Doubt; No Lease on Life, a finalist for the National Book Critics Circle Award; American Genius, A Comedy; and Men and Apparitions. Her nonfiction books include The Velvet Years: Warhol’s Factory 1965–1967, with photographs by Stephen Shore; Bookstore: The Life and Times of Jeannette Watson and Books & Co.; and What Would Lynne Tillman Do?, a finalist for the National Book Critics Circle Award in Criticism. Her most recent short story collections are Someday This Will Be Funny and The Complete Madame Realism. She is the recipient of a Guggenheim Foundation Fellowship and an Andy Warhol/Creative Capital Arts Writing Fellowship. Tillman is Professor/Writer-in-Residence in the Department of English at The University of Albany and teaches at the School of Visual Arts’ Art Criticism and Writing MFA Program in New York. She lives in Manhattan with bass player David Hofstra.
Lucy Ives is the author of the novel Impossible Views of the World, published by Penguin Press and selected as a New York Times Editors’ Choice. Her writing has appeared in Art in America, Artforum, The Baffler, Frieze, Lapham’s Quarterly, and Vogue, among other publications. For five years she was an editor with the online magazine Triple Canopy. A graduate of Harvard and the Iowa Writers’ Workshop, she holds a Ph.D. in comparative literature from New York University. She is currently editing a collection of writings by the artist Madeline Gins.
Lucy Ives is the author of the novel Impossible Views of the World, published by Penguin Press and selected as a New York Times Editors’ Choice. Her writing has appeared in Art in America, Artforum, The Baffler, Frieze, Lapham’s Quarterly, and Vogue, among other publications. For five years she was an editor with the online magazine Triple Canopy. A graduate of Harvard and the Iowa Writers’ Workshop, she holds a Ph.D. in comparative literature from New York University. She is currently editing a collection of writings by the artist Madeline Gins.
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