Academic art

Beschreibung

Neuware -Source: Wikipedia. Pages: 120. Chapters: Jean Auguste Dominique Ingres, Gustave Moreau, Lawrence Alma-Tadema, Thomas Couture, William-Adolphe Bouguereau, Julien Le Blant, Académie des Beaux-Arts, Jean-Léon Gérôme, École nationale supérieure des Beaux-Arts, Franz Xaver Winterhalter, George Frederic Watts, Raja Ravi Varma, John Collier, Frederic Leighton, 1st Baron Leighton, Francesco Hayez, Jean-Louis-Ernest Meissonier, Hans Makart, Hippolyte Delaroche, Alexandre Cabanel, Marc-Charles-Gabriel Gleyre, Alfred Gilbert, Léon Bonnat, Károly Lotz, Henri-Pierre Picou, Mariano Fortuny, Albert Joseph Moore, Antonin Mercié, Jules Joseph Lefebvre, Delphin Enjolras, Jean-Baptiste Carpeaux, Brazilian academic art, Ary Scheffer, Alphonse-Marie-Adolphe de Neuville, Alfred Stevens, Hubert Vos, Charles-Amable Lenoir, Don Troiani, Alfred Agache, Elizabeth Jane Gardner, Jean-Hippolyte Flandrin, Giacomo Di Chirico, Jean-Baptiste Regnault, Jean-Jacques Henner, Alexandre Falguière, Jean-Joseph Benjamin-Constant, Emile Munier, Antoine Étex, Jean Alaux, Jean Béraud, Henryk Siemiradzki, Julien Dupré, Jean-Paul Laurens, Paul-Jacques-Aimé Baudry, Alexandre-Gabriel Decamps, Louis-Ernest Barrias, The Storm, Václav Bröík, Eugene de Blaas, Pierre Auguste Cot, Émile Bayard, Keith Rocco, Franz von Lenbach, Fernand Cormon, Pedro Américo, Guillaume Seignac, Henri Gervex, Théobald Chartran, Amélie Beaury-Saurel, Georges Rochegrosse, Domenico Morelli, Gyula Benczúr, Ernest Hébert, Alexandre Bida, Marc-Aurèle de Foy Suzor-Coté, Édouard Detaille, Pietro Aldi, Joseph-Noël Sylvestre, Charles Bargue, Fernand Pelez, Rodolfo Amoedo, Jan August Hendrik Leys, Édouard-Théophile Blanchard, François-Léon Benouville, Léon Dierx, Charles Joshua Chaplin, Victor Meirelles, Gustave Boulanger, Auguste Toulmouche, Paul Jamin, Léon Bazile Perrault, Charles Edward Boutibonne. Excerpt: Jean-Auguste-Dominique Ingres (French pronunciation: ; 29 August 1780 ¿ 14 January 1867) was a French Neoclassical painter. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eugène Delacroix. His exemplars, he once explained, were 'the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art . I am thus a conservator of good doctrine, and not an innovator.' Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art. Ingres was born in Montauban, Tarn-et-Garonne, France, the first of seven children (five of whom survived infancy) of Jean-Marie-Joseph Ingres (1755¿1814) and his wife Anne Moulet (1758¿1817). His father was a successful jack-of-all-trades in the arts, a painter of miniatures, sculptor, decorative stonemason, and amateur musician; his mother was the nearly illiterate daughter of a master wigmaker. From his father the young Ingres received early encouragement and instruction in drawing and music, and his first known drawing, a study after an antique cast, was made in 1789. Starting in 1786 he atte.Books on Demand GmbH, Überseering 33, 22297 Hamburg 120 pp. Englisch.

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Bibliografische Details

Titel

Academic art

Verlag

Books LLC, Reference Series Nov 2012

Erscheinungsjahr

2012

Sprache

Englisch

ISBN-10

1157720293

ISBN-13

9781157720294

Einband

Taschenbuch

Zustand

Neu

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