Read Frame Type Film Or, Written on the Screen - Hardcover

 
9798991658010: Read Frame Type Film Or, Written on the Screen

Inhaltsangabe

This ambitious survey chronicles text and typography in 20th-century artists’ films and experimental cinema

From credits to subtitles to title cards and beyond, texts play a critical part in the structure of a film. Yet, away from the world of mainstream cinema, where the work of renowned title designers such as Saul Bass and Pablo Ferro has gained critical consideration, these textual—and visual—elements have often been overlooked. In Read Frame Type Film: Or, Written on the Screen, film curator Enrico Camporesi, graphic design historian Catherine de Smet and designer Philippe Millot aim to address this gap by focusing on an often neglected field: experimental and artists’ films. They bring their extensive research and expertise to a discussion of 24 works from the film collection at the Centre Pompidou in Paris that offer unique perspectives on the affinity between cinema and typography. Composed of a series of rich explorative texts, accompanying specially commissioned photography of analog filmstrips from the collection, the book is, itself, an experimental object, in which text and images mirror one another.
Read Frame Type Film: Or, Written on the Screen stems from the ambitious "TypoFilm" research project, initiated at the Centre Pompidou in 2020 and dedicated to constructing a genealogy of this understated yet pivotal element of design on screen.
Films include: Anémic Cinéma (Marcel Duchamp), L'Étoile de mer (Man Ray), The Flicker (Tony Conrad), Sailboat (Joyce Wieland), Film About A Woman Who… (Yvonne Rainer), Light Reading (Lis Rhodes).

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Über die Autorin bzw. den Autor

Enrico Camporesi oversees the research activities of the Centre Pompidou film collection. He is the author of Futurs de l’obsolescence (Mimésis, 2018), a book on restoring artists’ films.

Catherine de Smet, professor at Université Paris 8, is a historian of art and graphic design. In addition to her work on Le Corbusier's editorial and curatorial activities, which has resulted in three books (2005, 2007, 2019), she has co-edited several books based on collective research, including Graphic Design: History in the Writing (with Sara De Bondt, 2014) and Études sur le collectif Grapus, 1970-1990 (with Béatrice Fraenkel, 2016). Her book Pour une critique du design graphique (2nd ed. 2020) brings together a selection of her essays on 20th and 21st century graphic design.

Philippe Millot is a graphic designer and typographer who teaches at the Ecole Nationale Supérieure des Arts Décoratifs in Paris. Since 2000, he has been a member of the Graphic International Alliance. His work has been acquired by the Centre National des Arts Plastiques and has also been shown in several exhibitions.

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