In language wild and restrained, opulent and precise, these sonnets make something lasting, even beautiful, from tragedy—personal and national. Diane Raptosh’s collection of sonnets, I Eric America, combines elements of family trauma (her brother Eric’s survival of a plane crash and subsequent paraplegia) with disturbances on the national stage. Equal parts origin story, myth, and song, the book unfolds from the premise that “America is the nation-expression of / a severely traumatized person.” Throughout their singing, the poems seek to heal, transmute and transform.
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Diane Raptosh’s fourth book of poetry, American Amnesiac (Etruscan Press), was longlisted for the 2013 National Book Award and was a finalist for the Housatonic Book Award. The recipient of three fellowships in literature from the Idaho Commission on the Arts, she served as the Boise Poet Laureate (2013) as well as the Idaho Writer-in-Residence (2013-2016). In 2018 she won the Idaho Governor’s Arts Award in Excellence. A highly active ambassador for poetry, she has given poetry workshops everywhere from riverbanks to maximum security prisons. She teaches literature and creative writing and co-directs the program in Criminal Justice/Prison Studies at the College of Idaho.
[I want to name America my brother,] I want to name America my brother, since we all see that eric stashed in the navel of nation-state. I want the union to man an inner change of location, to shift from the seed of Eric meaning one, alone, unique, to its roots in long-time journey; everlasting, eternity. I would like the place to navel-gaze just enough to note that dogwood’s frail stateliness. To annotate decency. To nightly simulcast grace. I’d like the state to glide on its rims, scuffed and abraded, forging new rubrics of spine. I’d like the nation to state out loud: All that rage—at last —is what pain feels like when I air it in public. [America is the nation-expression of] America is the nation-expression of a severely traumatized person. Which makes me a human hair trigger. I really am made of my brother, caught between Jedi torso and nerve-wracked numbness boothed in the lower half of the body. Yes, we’re merely a swarm to thin before Musk and Bezos jet their glitz-pilgrims to Mars— the Artemis lunar landing, host of a layover hitched to the red trajectory. I fear these pretty much tetchy jottings will really tick off my hair. Psst, Eric: Let us un-die. Let us din and naiad ideas that flipper in Earth-joy. Ooh let me retire from nation re-rigging until the ends of my name. [When I become dust, I want to Diane] When I become dust, I want to Diane to be human for Do not repeat where we were. I want it to shorthand how-to’s. How to upend: First, we re-nature. I want it to plug for the land while sizing up griefs of the day. To show how to stand for the self while penciling notes on the trim of the world: Why it’s queer to feel cared for: It’s a fact about life in America. I would like my own action verb to bank and clearwing. I want to id and lever a din that heaps insistence on us in the spore of its origin story. To have sung as a sample person sheltering Earth. For you to have oared these lines by the strobe of Venus.
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Taschenbuch. Zustand: Neu. Neuware - 'Raptosh's collection of sonnets combines elements of family trauma (her brother Eric's survival of a plane crash and subsequent paraplegia) with disturbances on the national stage. Equal parts origin story, myth, and song, the book unfolds from the premise that 'America is the nation-expression of / a severely traumatized person'. Artikel-Nr. 9798988198550
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