All That Blue traverses geographies of place, mental illness, coming-of-age, and desire. The poems take on a variety of free-verse forms and hinge on images of the natural world as they reflect the speaker's interiority. Blue forms the connective tissue between natural places; desert and ocean are elided through their blueness. So too do the interior and the exterior landscapes combine: a blueness of mind and of body. All That Blue contends with questions of identity and how to represent the self on the page, ultimately landing on a shape that is both fragment and shadow, a shape that demands the logic of lyric.
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Allison Field Bell is a a multi-genre writer from California. Her debut short story collection, Bodies of Other Women, is forthcoming from Red Hen Press. She is also the author of three chapbooks: Stitch (flash fiction, forthcoming from Chestnut Review Books), Without Woman or Body (Poetry, Finishing Line Press), and Edge of the Sea (Nonfiction, CutBank Books). Find her at allisonfieldbell.com
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