Develops the concepts of musico-generic assemblage and abstraction to provide new perspectives on musical genre fit for current techno-scientific, commercial and socio-cultural contexts
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Mads Krogh is Associate Professor of Popular Music Culture at Aarhus University, Denmark. His research explores issues of genre, mediation, and practice combining inspiration from cultural sociology, assemblage, affect, and actor-network theory. In recent years, he has been particularly concerned with genre formation and classificatory practices in digital contexts of musical life. He is co-editor of six books, including Music Radio: Building Communities, Mediating Genres (Bloomsbury, 2019) and Methodologies of Affective Experimentation (2022).
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Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In English. Artikel-Nr. ria9798765100080_new
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Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - 'From recent decades' digitization have emerged a wide range of means for mapping tendencies in musical life, identifying patterns in sound or musico-cultural practices, and compiling labels, names, tags, and classes on an unprecedented scale. The result is an extensive catalogue of musical genre. This challenges scene-based or identificational understandings as these occur, for example, in popular music studies (in concepts such as 'genre world' or 'genre culture'). This book offers new perspectives on musical genre fit for current times but with the potential for also reconsidering historical cases. The changing scale and pace of processes of abstraction is among the major ways in which digitization impacts current conditions of musical life'--. Artikel-Nr. 9798765100080
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