Blake Langford returns to his family home in London after the death of his mother. As he sorts through her possessions, he discovers an old photo of her with a man he does not recognise from many years ago. As he begins to dig deeper into his family's past, conflicting stories lead to a young couple who went missing over 70 years ago. When a dog walker discovers a body of a young woman half way out of a grave, Blake has many unanswered questions for an undertaker who is not willing to cooperate and a corpse that may link back to his own family in ways he never expected. When the body count continues to climb, Blake needs to find closure in a world of death and violence but who can he trust? Trigger Warning: Contains scenes of torture and violence.
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John Roberts is a philosopher, art theorist and playwright, and Professor of Art & Aesthetics at the University of Wolverhampton. He is the author of a number of books including: The Intangibilities of Form: Skill and Deskilling in Art After the Readymade (2007), The Necessity of Errors (2011), Photography and Its Violations (2014), Revolutionary Time and the Avant-Garde (2015), The Reasoning of Unreason: Universalism, Capitalism and Disenlightenment (2018) and Capitalism and the Limits of Desire (2021). He lives in London.
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