A corporate IP lawyer. A color-weaver. A painting that holds something that shouldn't still be alive.
When Charles Ashford arrives at Vivienne Marchand's restoration studio with a forty-seven page asset seizure notice and a quantum scanner, he expects forty minutes and a signature. He gets eight hours, a locked door, and a nineteenth-century widow who has been waiting a hundred and sixty years for someone to look at her properly.
What neither of them expects is what the scanner does to the painting — or what the painting does to him.
A cozy enemies-to-lovers romance set in the Scholar's Ward, where the past is never fully gone and the present, it turns out, is worth staying for.
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