Ikat Textiles of Timor offers an in-depth overview of regional textile styles from both West and East Timor, while also contributing significant new insights into their design traditions. In academic literature, the ikated men’s wraps from Timor have long been described as symmetrical. However, Dr Peter ten Hoopen’s examination of early examples from museums and private collections reveals that, historically, two thirds of these textiles were actually asymmetrical. This discovery challenges an academic consensus that has persisted since 1912, and highlights a previously overlooked level of creative ingenuity―inviting greater admiration for the women who wove these complex designs.
Today’s ikat weavers on Timor, like many foreign scholars before them, seem unaware that asymmetry was once a dominant design principle. Many continue to assert that perfect symmetry has always been the tradition. Yet the historical textiles tell a different story. Ten Hoopen’s groundbreaking findings justify his focus on early specimens, which often display a greater degree of design sophistication than their contemporary counterparts.
It is striking that earlier researchers failed to recognise or report the prevalence of asymmetry in Timorese textiles. In early pieces, asymmetry is not only present but often dominant. This oversight reflects a broader pattern of neglect: textiles have historically been marginalised in Southeast Asian material culture studies, overshadowed by architecture, sculpture, weaponry, and jewellery. The author hopes that his historical investigations help correct this imbalance by demonstrating that these textiles embody far more artistic ingenuity, intellectual depth, and craftswomanship than previously acknowledged.
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Peter ten Hoopen began collecting ikat textiles from the Indonesian archipelago in the late 1970s. His partnership with Lisbon’s Museu do Oriente in 2014 led to the first exhibition of Indonesian ikat to display materials from across the archipelago, which would then become the model for the more comprehensive 2017 exhibition Fibres of Life at the University Museum and Art Gallery, The University of Hong Kong. ten Hoopen is currently a PhD candidate at Leiden University.
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Buch. Zustand: Neu. Neuware - Offers a comprehensive overview of the profusion of ikat styles found across Indonesia, featuring examples from over fifty weaving regions.Unlike collectors who typically show a selection of stellar pieces from a limited number of different localities, Peter ten Hoopen seeks to showcase not just individual masterpieces, but the culture of the 'ikat archipelago.' This is done through the close reading of over two hundred early and emblematic examples of ikat textiles from his Pusaka Collection, and by introducing us to the living conditions, beliefs, and customs of the people who have created and used them. ten Hoopen's ethnographic approach to collecting allows us to see where the styles from neighboring island regions are interwoven--reflecting migration, bridal exchanges, trade, and raiding patterns--and where they stand out by marked individuality.Created with scholarly input from a dozen region-specific experts, Ikat Textiles of the Indonesian Archipelago spans the entire arc of the Indonesian archipelago, from Sumatra in the west to the Moluccas in the east. It even reaches beyond Indonesia's borders to include the Malaysian state of Sarawak and the Democratic Republic of East Timor. While building on previous ikat research, ten Hoopen offers numerous new additions to the knowledge base, including information on the ikat of a dozen islands and regions never before addressed in the scholarship. Artikel-Nr. 9789887471059
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