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John Clark is Associate Professor at the University of Sydney in the Department of Art History and Theory.Excerpt. © Reprinted by permission. All rights reserved.:
Chinese art at the end of the century stands at something of a turning point. After the hysteria with which so much interesting experimental art was received at the Venice Biennale in 1999 it would appear the Euramerican art world is still reluctant to accept it no longer has – if it ever had – any exclusive rights over modernity. But if this external reception still retains an unshakably atavistic core, what can be said of the situation in China itself?
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