PEDRO DE MENA: The Spanish Bernini (ART) - Hardcover

BRAY, XAVIER / ROMERO TORRES, JOSE LUIS

 
9789492677914: PEDRO DE MENA: The Spanish Bernini (ART)

Inhaltsangabe

The Spanish Bernini
Pedro de Mena y Medrano (1628–1688) is
nowadays the most highly regarded master
of Spanish Baroque sculpture, on a par with
his contemporaries, the great seventeenthcentury
painters Velázquez, Zurbarán and
Murillo.
Mena’s contributions to Spanish Baroque
sculpture are unsurpassed in both technical
skill and expressiveness of his religious
subjects. His ability to sculpt the human body
was remarkable, and he excelled in creating
figures and scenes for contemplation.
This first monograph of Pedro de Mena shows
a lot of details and remarkable images of his
hyper-realistic sculptures, full of Spanish
passion.
Apart from the article by curator Xavier Bray,
it also features important contributions
by José Luis Romeo Torres, curator of the
monographic exhibition Pedro de Mena,
to be held in Málaga in 2019.
This publication will be available at the
exhibition De Mena, Murillo, Zurbarán.
Masters of the Spanish Baroque, in the
monumental hospital wards of the Sint-
Janshospitaal in Bruges, until 6 October 2019.

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Über die Autorin bzw. den Autor

Since 2002, Xavier Bray has been assistant curator of 17th- and 18th-century European paintings at the National Gallery, London. He completed his doctoral dissertation, "Royal Religious Commissions as Political Propaganda in Spain under Charles III," at Trinity College, Dublin, in 1999. Between 1998 and 2000, he was assistant curator at the National Gallery, London, where he co-curated exhibitions such as Orazio Gentileschi at the Court of Charles I (1998-1999), A Brush with Nature: The Gere Collection of Landscape Oil Sketches (1999), and The Image of Christ: Seeing Salvation (2000). He was also the curator of a focus exhibition on Goya's Family of the Infante Don Luis (2001-2002). From 2000 to 2002 Bray was the curator of paintings at the Museum of Fine Arts in Bilbao, where he organised exhibitions such as An Intimate Vision - Women Impressionists (2001-2002) and Vicente López: Court Painter to Fernando VII (2002). He returned to the National Gallery, London, in 2002 and was the co-curator of El Greco (2004), Caravaggio (2005), and Velázquez (2006). The Sacred Made Real: Spanish Painting and Sculpture, 1600-1700 (2009) was the first solo exhibition organised by Bray. José Luis Romero Torres is art historian and conservator at the Patrimonio Histórico de la Junta de Andalucía.

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The Spanish Bernini
Pedro de Mena y Medrano (1628–1688) is
nowadays the most highly regarded master
of Spanish Baroque sculpture, on a par with
his contemporaries, the great seventeenthcentury
painters Velázquez, Zurbarán and
Murillo.
Mena’s contributions to Spanish Baroque
sculpture are unsurpassed in both technical
skill and expressiveness of his religious
subjects. His ability to sculpt the human body
was remarkable, and he excelled in creating
figures and scenes for contemplation.
This first monograph of Pedro de Mena shows
a lot of details and remarkable images of his
hyper-realistic sculptures, full of Spanish
passion.
Apart from the article by curator Xavier Bray,
it also features important contributions
by José Luis Romeo Torres, curator of the
monographic exhibition Pedro de Mena,
to be held in Málaga in 2019.
This publication will be available at the
exhibition De Mena, Murillo, Zurbarán.
Masters of the Spanish Baroque, in the
monumental hospital wards of the Sint-
Janshospitaal in Bruges, until 6 October 2019.

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