In The Future of the New, artists, theorists and professionals working the art field reflect on the role of the arts in a world that is speeding up and changing through the joint forces of globalization, digitization, commodification and financialization. Can artistic innovation still function as a source of critique? How do artists, theorists and art organizations deal with the changing role of and discourse on innovation? Should we look for alternative ways to innovate, or should we change our discourse and look for other (new!) ways to talk about the new? Combining timely analyses of contemporary art and inspiring visions for the future, The Future of the New attempts to set the agenda for the debate on the function, value and future of artistic innovation. It includes writings by leading theorists in this field, such as Franco 'Bifo' Berardi, Suhail Malik, Benjamin Noys, Hartmut Rosa and Nick Srnicek.
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In The Future of the New: Artistic Innovation in Times of Social Acceleration artists, theorists, and professionals working in the art field reflect on the role of the arts in a world that is speeding up and changing through joint forces of globalization, digitization, commodification, and financialization. Can artistic innovation still function as a source of critique? How do artists, theorists, and art organizations deal with the changing role of and discourse on innovation? Should we look for alternative ways to innovate, or should we change our discourse and look for other (new!) ways to talk about the new? Combining timely analyses of contemporary art and inspiring visions for the future, The Future of the New attempts to set the agenda for the debate on the function, value and future of artistic innovation.
In The Future of the New: Artistic Innovation in Times of Social Acceleration reflecteren kunstenaars, theoretici en kunstprofessionals op de rol van de kunsten in een wereld die versnelt en verandert onder invloed van globalisering, digitalisering, commodificatie en financialisering. Kan artistieke vernieuwing nog dienen als bron van kritiek? Hoe gaan kunstenaars, theoretici en kunstinstellingen om met de veranderende rol van en het veranderende discours over innovatie? Moeten we zoeken naar alternatieve manieren om te innoveren, of moeten we het discours veranderen en zoeken naar andere (nieuwe!) manieren om over 'het nieuwe' te praten? The Future of the New combineert scherpe analyses van hedendaagse kunst met inspirerende vergezichten voor de toekomst, en wil daarbij de agenda bepalen voor het debat over de functie, waarde en toekomst van artistieke innovatie.
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