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Labour in a Single Shot: Critical Perspectives on Antje Ehmann and Harun Farocki’s Global Video Project (Film Culture in Transition) - Hardcover

Buch 85 von 110: Film Culture in Transition
 
9789463722421: Labour in a Single Shot: Critical Perspectives on Antje Ehmann and Harun Farocki’s Global Video Project (Film Culture in Transition)

Inhaltsangabe

" The book both extends and reflects upon a large-scale, international art project that has taken the form of an online database and numerous exhibitions (including the Venice Biennale and other important venues). " The essays explore the social, political, and ethical ramifications of documenting global labour with a roving camera that often operates in close proximity to its human subjects. " The inclusion of Antje Ehmann's journal entries, translated for the first time into English, will offer a real-time account of the workshops that will complement the scholarly essays' accounts of the videos. This collection of essays offers a critical assessment of Labour in a Single Shot, a groundbreaking documentary video workshop. From 2011 to 2014, curator Antje Ehmann and film- and video-maker Harun Farocki produced an art project of truly global proportions. They travelled to fifteen cities around the world to conduct workshops inspired by cinema history’s first film, Workers Leaving the Lumière Factory, shot in 1895 by the Lumière brothers in France. While the workshop videos are in colour and the camera was not required to remain static, Ehmann and Farocki’s students were tasked with honouring the original Lumière film’s basic parameters of theme and style. The fascinating result is a collection of more than 550 short videos that have appeared in international exhibitions and on an open-access website, offering the widest possible audience the opportunity to ponder contemporary labour in multiple contexts around the world.

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Über die Autorinnen und Autoren

Roy Grundmann is Associate Professor of Film Studies at Boston University. Peter J. Schwartz is Associate Professor of German, Comparative Literature, and Film at Boston University. Gregory H. Williams is Associate Professor of Contemporary and Modern Art History at Boston University.

Roy Grundmann is Associate Professor of Film Studies at Boston University.Peter J. Schwartz is Associate Professor of German, Comparative Literature, and Film at Boston University.Gregory H. Williams is Associate Professor of Contemporary and Modern Art History at Boston University.

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