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Southeast Asia on Screen: From Independence to Financial Crisis (1945-1998) (Asian Visual Cultures) - Hardcover

 
9789462989344: Southeast Asia on Screen: From Independence to Financial Crisis (1945-1998) (Asian Visual Cultures)
Hardcover
ISBN 10: 9462989346 ISBN 13: 9789462989344
Verlag: Routledge, 2020

Inhaltsangabe

This collection examines Southeast Asia's cinematic development throughout the latter part of the 20th century, before the post-2000 revival and the advent of digital filmmaking.

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Über die Autorin bzw. den Autor

Gaik Cheng Khoo is Deputy Dean of Research and Sustainability at the Sunway University, Malaysia. She initiated the first Association of Southeast Asian Cinemas Conference in 2004 and has authored and edited numerous books, book chapters and journal articles on cinema and filmmaking in Malaysia and Southeast Asia.
Thomas Barker is Associate Professor at the University of Nottingham Malaysia. He researches and writes on Indonesian cinema, transnational cinema, and China-Malaysia screen connections. He is the author of Indonesian Cinema after the New Order: Going Mainstream (Hong Kong University Press, 2019).
Mary Jane Ainslie is Associate Professor in Film and Media Studies at the University of Nottingham Ningbo. She specializes in culture and media throughout Southeast Asia, with specific emphasis upon Thailand and Malaysia. She is the co-editor of Thai Cinema: The Complete Guide (I.B. Tauris, 2018).

Von der hinteren Coverseite

After the end of World War II when many Southeast Asian nations gained national independence, and up until the Asian Financial Crisis, film industries here had distinctive and colourful histories shaped by unique national and domestic conditions. Southeast Asia on Screen: From Independence to Financial Crisis (1945-1998) addresses the similar themes, histories, trends, technologies and sociopolitical events that have moulded the art and industry of film in this region, identifying the unique characteristics that continue to shape cinema, spectatorship and Southeast Asian filmmaking in the present and the future. Bringing together scholars across the region, chapters explore the conditions that have given rise to today’s burgeoning Southeast Asian cinemas as well as the gaps that manifest as temporal belatedness and historical disjunctures in the more established regional industries.

Aus dem Klappentext

After the end of World War II when many Southeast Asian nations gained national independence, and up until the Asian Financial Crisis, film industries here had distinctive and colourful histories shaped by unique national and domestic conditions. Southeast Asia on Screen: From Independence to Financial Crisis (1945-1998) addresses the similar themes, histories, trends, technologies and sociopolitical events that have moulded the art and industry of film in this region, identifying the unique characteristics that continue to shape cinema, spectatorship and Southeast Asian filmmaking in the present and the future. Bringing together scholars across the region, chapters explore the conditions that have given rise to today s burgeoning Southeast Asian cinemas as well as the gaps that manifest as temporal belatedness and historical disjunctures in the more established regional industries.

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Verlag
Routledge
Erscheinungsdatum
2020
Sprache
Englisch
ISBN 10 
9462989346
ISBN 13 
9789462989344
Einband
Gebundene Ausgabe
Anzahl der Seiten
304
Herausgeber
Khoo Gaik Cheng, Barker Thomas, Ainslie Mary
Kontakt zum Hersteller
preigu GmbH & Co. KG
mail@preigu.de

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