In this work, de Gourmont addresses the concept that traditional forms of art, shaped by classical ideals, are reaching their conclusion in the face of modernity and new movements. He discusses how art, once seen as a medium for the divine and the beautiful, has become increasingly detached from those values. Instead, art is now exploring themes of existentialism, individualism, and the absurd, signaling a transformation in its purpose and perception. De Gourmont argues that the end of art, as it was traditionally known, marks a liberation from conventional structures and opens up new avenues for expression. The book reflects a keen insight into the shifting role of the artist in society, with an emphasis on the intellectual and aesthetic dimensions of the artist’s work. It delves into the complexity of the relationship between art and the individual, asserting that modern art’s value lies not in its ability to adhere to past standards but in its capacity to provoke thought and evoke new emotional responses. The End of Art is both a reflection on and a critique of the evolving artistic landscape, raising questions about what art will be in the future and how it will continue to interact with the broader cultural and societal changes.
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