This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself.
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Laura Mulvey is the author of >Visual Pleasure and Narrative Cinema>. She was professor in film and media theory at Birkbeck College, University of London, and director of the Birbeck Institute for the Moving Image.
Anna Backman Rogers is senior lecturer in film studies at Gothenburg University in Sweden.
This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography, Feminisms will be essential reading for scholars of both film and feminism.
This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography, Feminisms will be essential reading for scholars of both film and feminism.
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Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Editor(s): Mulvey, Laura; Rogers, Anna Backman. Series: Key Debates - Mutations and Appropriations in European Film Studies. Num Pages: 276 pages, 0 illustrations. BIC Classification: APFA. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 235 x 158 x 22. Weight in Grams: 424. . 2015. 0th Edition. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9789089646767
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