After the Break: Television Theory Today (Televisual Culture) - Softcover

 
9789089645227: After the Break: Television Theory Today (Televisual Culture)

Inhaltsangabe

Television is evolving rapidly. How, then, might we respond to television today in light of its past? And do the old theoretical concepts still apply, or must we invent a new framework for this mutable medium? To answer these fundamental questions, the contributors to this provocative collection examine diverse case studies, including up-to-date scholarship on the current television zeitgeist, nostalgic programming on broadcast television, YouTube, and public television art programming of the 1980s. As a whole, these essays challenge the supposed crisis in television in the light of its burgeoning development. 

Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.

Über die Autorinnen und Autoren

Marijke de Valck and Jan Teurlings are lecturers in media studies at the University of Amsterdam.


Marijke de Valck is a lecturer of Media Studies at Amsterdam University Jan Teurlings is lecturer in television studies at the University of Amsterdam.

Marijke de Valck is a lecturer of Media Studies at Amsterdam UniversityJan Teurlings is lecturer in television studies at the University of Amsterdam.

Von der hinteren Coverseite

Television as we knew it is irrevocably changing. Some are gleefully announcing the death of television, others have been less sanguine but insist that television is radically changing underneath our eyes. Several excellent publications have dealt with television’s uncertain condition, but few have taken the specific question of what television’s transformations mean for the discipline of Television Studies as a starting point. The essays collected in this volume aim to fill this void. Two fundamental questions string the various contributions together. First, is television really in crisis or is the present not so extraordinary when revisiting television’s development? Second, should we invent new theoretical concepts or are our old ones still perfectly relevant? To answer such questions the authors in this volume take up diverse case studies, ranging from the academic series Reading Contemporary Television to Flemish Fiction, from nostalgic programming on broadcast television to YouTube, from tell-sell television shows to public television art in the 1980s.

Aus dem Klappentext

Television as we knew it is irrevocably changing. Some are gleefully announcing the death of television, others have been less sanguine but insist that television is radically changing underneath our eyes. Several excellent publications have dealt with television s uncertain condition, but few have taken the specific question of what television s transformations mean for the discipline of Television Studies as a starting point. The essays collected in this volume aim to fill this void. Two fundamental questions string the various contributions together. First, is television really in crisis or is the present not so extraordinary when revisiting television s development? Second, should we invent new theoretical concepts or are our old ones still perfectly relevant? To answer such questions the authors in this volume take up diverse case studies, ranging from the academic series Reading Contemporary Television to Flemish Fiction, from nostalgic programming on broadcast television to YouTube, from tell-sell television shows to public television art in the 1980s.

„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.