Flying Freelance Portrayer. Purveyor, chronicler and archivist of exquisite photographic peculiarities. Carmen De Vos is a slow photographer. She registers, portrays and invents odd stories. She shoots Polaroids to frame those mental escapades, which get so easily out of hand. She yearns for what she's afraid to lose: genuine human contact, the slowness of being and creating, the tangibility of materials. She uses, almost without exception, old Polaroid cameras, long expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results like colourization, deformation or unsharpness - results she could never have predicted beforehand with any degree of certainty, because these flaws do not allow for calculation. She's not in control. She fights the material. She plans, stages and directs, but the decaying chemistry of the film and the out-of-focus lenses add their magic all by themselves. That leads to either pleasant surprises or ruined images. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances. Luckily, she's a sucker for imperfections.
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Carmen De Vos is a Belgian art photographer and archivist who registers, portrays and invents odd stories.
The Eyes of the Fox geeft een overzicht van een decennium Polaroids van Carmen De Vos
De Belgische kunstfotografe Carmen De Vos mixt graag goede manieren met schrandere erotiek. Haar Polaroids zijn dan ook verfrissend stout en schaamteloos gewaagd. Als slow photographer die graag met lang vervallen films werkt, creëert ze een poëtisch universum waarin haar Foxy Femmes de koninginnen van het beeld vertolken.
Flying Freelance Portrayer. Leverancier, chroniqueur en archivaris van prachtige fotografische eigenaardigheden.
Carmen De Vos is een langzame fotograaf. Ze registreert, portretteert en bedenkt vreemde verhalen. Ze schiet Polaroids om deze mentale escapades te kaderen, ze lopen zo gemakkelijk uit de hand.
Ze verlangt enorm naar wat ze bang is te verliezen: echt menselijk contact, de traagheid van zijn en creëren, de tastbaarheid van materialen.
Bijna zonder uitzondering maakt ze gebruik van oude Polaroidcamera's, lang verstreken film en zelf gemaakte filters. Haar hulpmiddelen en methoden - zoals filmbleken en opzettelijke filmobstructie - zijn niet precies en zijn zelfs niet afgestemd op een perfecte weergave. Ze leveren vaak resultaten op - zoals inkleuring, vervorming, onscherpte - die ze op voorhand nooit met zekerheid zou hebben voorspeld, net omdat deze gebreken geen berekening toelaten. Ze heeft geen controle, ze vecht tegen het materiaal. Ze plant, ensceneert en regisseert, maar de rotte chemie en onscherpe lenzen voegen hun magie toe. Helemaal alleen, wat soms vrolijk verrast en soms het beeld ruïneert. Deze strijd trekt haar evenzeer aan als hij haar frustreert. Ze vindt het heerlijk om binnen deze beperkingen te creëren, om te proberen het best mogelijke beeld te produceren binnen de gegeven smalle omstandigheden.
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Hardback. Zustand: New. Flying Freelance Portrayer. Purveyor, chronicler and archivist of exquisite photographic peculiarities. Carmen De Vos is a slow photographer. She registers, portrays and invents odd stories. She shoots Polaroids to frame those mental escapades, which get so easily out of hand. She yearns for what she's afraid to lose: genuine human contact, the slowness of being and creating, the tangibility of materials. She uses, almost without exception, old Polaroid cameras, long expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results like colourization, deformation or unsharpness - results she could never have predicted beforehand with any degree of certainty, because these flaws do not allow for calculation. She's not in control. She fights the material. She plans, stages and directs, but the decaying chemistry of the film and the out-of-focus lenses add their magic all by themselves. That leads to either pleasant surprises or ruined images. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances. Luckily, she's a sucker for imperfections. Artikel-Nr. LU-9789082808018
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Hardback. Zustand: New. Flying Freelance Portrayer. Purveyor, chronicler and archivist of exquisite photographic peculiarities. Carmen De Vos is a slow photographer. She registers, portrays and invents odd stories. She shoots Polaroids to frame those mental escapades, which get so easily out of hand. She yearns for what she's afraid to lose: genuine human contact, the slowness of being and creating, the tangibility of materials. She uses, almost without exception, old Polaroid cameras, long expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results like colourization, deformation or unsharpness - results she could never have predicted beforehand with any degree of certainty, because these flaws do not allow for calculation. She's not in control. She fights the material. She plans, stages and directs, but the decaying chemistry of the film and the out-of-focus lenses add their magic all by themselves. That leads to either pleasant surprises or ruined images. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances. Luckily, she's a sucker for imperfections. Artikel-Nr. LU-9789082808018
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Hardcover. Zustand: new. Hardcover. Flying Freelance Portrayer. Purveyor, chronicler and archivist of exquisite photographic peculiarities. Carmen De Vos is a slow photographer. She registers, portrays and invents odd stories. She shoots Polaroids to frame those mental escapades, which get so easily out of hand. She yearns for what she's afraid to lose: genuine human contact, the slowness of being and creating, the tangibility of materials. She uses, almost without exception, old Polaroid cameras, long expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results like colourization, deformation or unsharpness - results she could never have predicted beforehand with any degree of certainty, because these flaws do not allow for calculation. She's not in control. She fights the material. She plans, stages and directs, but the decaying chemistry of the film and the out-of-focus lenses add their magic all by themselves. That leads to either pleasant surprises or ruined images. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances. Luckily, she's a sucker for imperfections. Flying Freelance Portrayer. Purveyor, chronicler and archivist of exquisite photographic peculiarities. Carmen De Vos is a slow photographer. She registers, portrays and invents odd stories. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Artikel-Nr. 9789082808018
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