Nul = 0: The Dutch Nul Group in an International Context

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9789056628383: Nul = 0: The Dutch Nul Group in an International Context
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The "nul" movement was formed in 1961 by Armando, Jan Henderikse, Henk Peeters and Jan Schoonhoven. Their work marked a radical turning point in the development of post-war visual art. The artists collaborated on manifestos, exhibitions, happenings and publications in fluid groupings. Internationally they sought contact with like-minded groups in Germany (Zero), France (Nouveau Râealisme), Italy (Azimuth) and Japan (Gutai), as well as with individual artists, such as Yves Klein and Lucio Fontana. Collectively they set the tone for the artistic climate in Europe in the 1960s, producing work in which phenomena such as light, water, fire, movement and seriality played an important part. Exhibition at the Stedelijk Museum Schiedam from 11 September 2011 to 22 January 2012, organized in association with the Zero Foundation, Dèusseldorf.

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The publication nul = 0: The Dutch Nul Group in an International Context reveals the artistic principles of the Nul movement. Leading international writers reconstruct the developments and collaborations of the Dutch Nul group with its spiritual brethren: the artists of the German Zero, the French Nouveau Réalisme, Italy's Azimut Group and the Japanese Gutai Group, as well as individual artists like Yves Klein, Yayoi Kusama and Lucio Fontana. Given the current generation of artists' rediscovery of such elements as time and space, light and motion, the achievements of these artists are now more relevant than ever.
The members of the legendary Dutch Nul Group, declared phenomena issued from reality to be art and emphasized the beauty of serenity, repetition and uniformity in their work. The Nul artists rejected the stereotypical idea of the bohemian in a paint-splattered smock and were inspired by the technological advances of the emerging consumer society. Together they worked on manifestos and publications and organized international exhibitions with like-minded artists. In the process they set the tone for a new artistic climate in the Netherlands and, with the artists of the international ZERO movement, contributed to a watershed in the visual arts that presaged conceptual art, land art and minimalist art.

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