The pageantry of Oprah Winfrey's talk show, the Atlanta-based Coca-Cola empire, Michael Jackson's turn from the King of Pop into an iconic global recluse: American "pop" culture-and the contemporary films, television programs, and cultural objects that determine it-dominates the rest of the world through its hegemonic presence. Does that make everyone a hybridized American or do these elements find mediation within the other cultures that consume them? Fabricating the Absolute Fake applies elements of postmodern theory-Jean Baudrillard's simulacra and Umberto Eco's "absolute fake", among others-to this globally mediated American pop culture in order to examine both the phenomena itself and its Netherlandish wake, as evidenced by diverse cultural icons like the Elvis-inspired crooner Lee Towers, the Moroccan-Dutch rapper Ali B, musical tributes to an assassinated politician, and the Dutch reality soap opera scene. A fascinating exploration of how global cultures struggle to create their own "America" within a post-September 11 media culture, Fabricating the Absolute Fake reflects on what it might mean to truly take part in American popular culture.
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Onze wereld wordt gedomineerd door de Amerikaanse popcultuur. Fabricating the Absolute Fake onderzoekt de dynamiek van Amerikanisering aan de hand van hedendaagse films, televisieprogramma's en popsterren die reflecteren op de vraag wat het betekent om Amerikaan in een mondiale popcultuur te zijn. Jaap Kooijman analyseert zowel Amerikaanse popcultu
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