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"http://warrenbuckland.com/">Warren Buckland is Reader in Film Studies at Oxford Brookes University. He is the author/editor of ten books, including The Routledge Encyclopedia of Film Theory (with Edward Branigan, 2013), Film Theory: Rational Reconstructions (2012), and The Cognitive Semiotics of Film (2000).
The Film Spectator: From Sign to Mind brings together for the first time in English the work of European film scholars whose aim is, in Christian Metz's famous phrase, 'to understand how film is understood'. The authors represented in this collection approach this aim through a unique combination of cognitive science, pragmatics, and semiotics. The Film Spectator raises once again the most fundamental issues that have confronted film theory over the last thirty years, but which were never adequately answered - including: the role of narrative logic in the comprehension of film, the mental representation of filmic space, the communicative and cognitive bases for the spectator's construction of filmic meaning, the difference between fiction and documentary, the role of enunciation and self-reference in film and television texts, and the linguistic status of the point-of-view shot.
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Softcover. no owners' marks; square, uncreased spine; soft cover; otherwise excellent. 258pp.; Very Good+ Crisp, bright, clean shows a short wrinkle across the spine heel and gentle shelfwear at bottom corners. Artikel-Nr. 00092823
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Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 258 | Sprache: Englisch | Produktart: Bücher | The Film Spectator: From Sign to Mind brings together for the first time in English the work of European film scholars whose aim is, in Christian Metz's famous phrase, 'to understand how film is understood'. The authors represented in this collection approach this aim through a unique combination of cognitive science, pragmatics, and semiotics. The Film Spectator raises once again the most fundamental issues that have confronted film theory over the last thirty years, but which were never adequately answered - including: the role of narrative logic in the comprehension of film, the mental representation of filmic space, the communicative and cognitive bases for the spectator's construction of filmic meaning, the difference between fiction and documentary, the role of enunciation and self-reference in film and television texts, and the linguistic status of the point-of-view shot. Artikel-Nr. 34395760/202
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Softcover. Zustand: gut. 2003. The Film Spectator In deutscher Sprache. pages. Artikel-Nr. BN488538
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