Smuggling the Renaissance: The Illicit Export of Artworks Out of Italy, 1861-1909 explores the phenomenon of art spoliation in Italy following Unification (1861), when the international demand for Italian Renaissance artworks was at an all-time high but effective art protection legislation had not yet been passed.
Making use of rich archival material Joanna Smalcerz narrates the complex and often dramatic struggle between the lawmakers of the new Italian State, and international curators (e.g., Wilhelm Bode), collectors (e.g., Isabella Stewart Gardner) and dealers (e.g., Stefano Bardini) who continuously orchestrated illicit schemes to export abroad Italian masterpieces. At the heart of the intertwinement of the art trade, art scholarship and art protection policies the author exposes the socio-psychological dynamics of unlawful collecting.
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Joanna Smalcerz, Ph.D. (2017), University of Bern, is an Associated Researcher at that university. Her research and publications focus on the nineteenth-century art market and collecting, as well as on the relations between societies and their cultural heritage.
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Zustand: New. Smuggling the Renaissance: The Illicit Export of Artworks Out of Italy, 1861-1909 offers an account of the dynamics and protagonists of the Post-Unification art spoliation crisis in Italy, focusing on the intertwinement of the art trade, scholarship . Artikel-Nr. 329332619
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Buch. Zustand: Neu. Smuggling the Renaissance | The Illicit Export of Artworks Out of Italy, 1861-1909 | Joanna Smalcerz | Buch | Gebunden | Englisch | 2020 | Brill | EAN 9789004421486 | Verantwortliche Person für die EU: Brill, Plantijnstraat 2, 2321 JC LEIDEN, NIEDERLANDE, customerservices[at]brill[dot]com | Anbieter: preigu. Artikel-Nr. 117628155
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Buch. Zustand: Neu. Neuware - Smuggling the Renaissance: The Illicit Export of Artworks Out of Italy, 1861-1909 explores the phenomenon of art spoliation in Italy following Unification (1861), when the international demand for Italian Renaissance artworks was at an all-time high but effective art protection legislation had not yet been passed.Making use of rich archival material Joanna Smalcerz narrates the complex and often dramatic struggle between the lawmakers of the new Italian State, and international curators (e.g., Wilhelm Bode), collectors (e.g., Isabella Stewart Gardner) and dealers (e.g., Stefano Bardini) who continuously orchestrated illicit schemes to export abroad Italian masterpieces. At the heart of the intertwinement of the art trade, art scholarship and art protection policies the author exposes the socio-psychological dynamics of unlawful collecting. Artikel-Nr. 9789004421486
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