As historical analyses of Diaspora Jewish visual culture blossom in quantity and sophistication, this book analyzes 19th-20th-century developments in Jewish Palestine and later the State of Israel. In the course of these approximately one hundred years, Zionist Israelis developed a visual corpus and artistic lexicon of Jewish-Israeli icons as an anchor for the emerging "civil religion." Bridging internal tensions and even paradoxes, artists dynamically adopted, responded to, and adapted significant Diaspora influences for Jewish-Israeli purposes, as well as Jewish religious themes for secular goals, all in the name of creating a new state with its own paradoxes, simultaneously styled on the Enlightenment nation-state and Jewish peoplehood.
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Alec Mishory's publications deal with the origins of Israeli art and its links with Jewish themes and Zionist utopias including The Jewish Art Scene in Israel 1948-1949 (2013) and Joseph Budko's Design of H. N. Bialik's Works Edition of 1923 (2006).
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Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - In Secularising the Sacred, Mishory offers an account of Zionist Israeli artists-designers' visual corpus and artistic lexicon of Jewish-Israeli icons as an anchor for the emerging 'civil religion,' through a process of giving visual form to Zionist ideas and myths. Artikel-Nr. 9789004405264
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