Plato and the Moving Image (Philosophy of Film, Band 332) - Hardcover
Buch 2 von 8: Philosophy of Film
Inhaltsangabe
This book shows how and why debates in the philosophy of film can be advanced through the study of the role of images in Plato's dialogues, and, conversely, why Plato studies stands to benefit from a consideration of recent debates in the philosophy of film. Contributions range from a reading of Phaedo as a ghost story to thinking about climate change documentaries through Plato's account of pleonexia. They suggest how philosophical aesthetics can be reoriented by attending anew to Plato's deployment of images, particularly images that move. They also show how Plato's deployment of images is integral to his practice as a literary artist. Contributors are Shai Biderman, David Calhoun, Michael Forest, Jorge Tomas Garcia, Abraham Jacob Greenstine, Paul A. Kottman, Danielle A. Layne, David McNeill, Erik W. Schmidt, Timothy Secret, Adrian Switzer, and Michael Weinman.
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Über die Autorin bzw. den Autor
Shai Biderman, Ph.D. (2012), Boston University, teaches Philosophy and Film at Tel Aviv University and Beit-Berl College, Israel. He has co-edited The Philosophy of David Lynch (UPK, 2011) and Kafka and the Moving Image (CUP, 2016) and published many articles on philosophy of film.
Michael Weinman, Ph.D. (2005), New School for Social Research, is Professor of Philosophy at Bard College Berlin. He has published three books, most recently The Parthenon and Liberal Education (SUNY Press, 2018), and many articles on Greek philosophy and political philosophy.
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Plato and the Moving Image
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Zustand: New. Über den AutorShai Biderman, Ph.D. (2012), Boston University, teaches Philosophy and Film at Tel Aviv University and Beit-Berl College, Israel. He has co-edited The Philosophy of David Lynch (UPK, 2011) and Kafka an. Artikel-Nr. 266446713
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Plato and the Moving Image
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Koninklijke Brill BV Jun 2019, 2019
ISBN 10: 9004398104
ISBN 13: 9789004398108
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Buch. Zustand: Neu. Neuware - This book shows how and why debates in the philosophy of film can be advanced through the study of the role of images in Plato's dialogues, and, conversely, why Plato studies stands to benefit from a consideration of recent debates in the philosophy of film. Contributions range from a reading of Phaedo as a ghost story to thinking about climate change documentaries through Plato's account of pleonexia. They suggest how philosophical aesthetics can be reoriented by attending anew to Plato's deployment of images, particularly images that move. They also show how Plato's deployment of images is integral to his practice as a literary artist. Contributors are Shai Biderman, David Calhoun, Michael Forest, Jorge Tomas Garcia, Abraham Jacob Greenstine, Paul A. Kottman, Danielle A. Layne, David McNeill, Erik W. Schmidt, Timothy Secret, Adrian Switzer, and Michael Weinman. Artikel-Nr. 9789004398108
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