Proceedings of the Tenth Seminar of the Iats, 2003. Volume 13: Art in Tibet: Issues in Traditional Tibetan Art from the Seventh to the Twentieth ... Art from the Seventh to the Twentieth Century - Hardcover

Buch 14 von 14: Proceedings of the Tenth Seminar of the IATS, 2003

International Association For Tibetan St

 
9789004155190: Proceedings of the Tenth Seminar of the Iats, 2003. Volume 13: Art in Tibet: Issues in Traditional Tibetan Art from the Seventh to the Twentieth ... Art from the Seventh to the Twentieth Century

Inhaltsangabe

This volume deals with specific issues related to Tibetan art, ranging from the earliest Buddhist buildings in central, southern and eastern geocultural Tibet up to the artistic traditions flourishing in the 20th century. The papers are arranged following the chronology of the sites or the themes taken into consideration in the first part and logical criteria in the latter part. Illustrated with numerous black-and-white pictures and 32 pages of colour plates, its contents are of special interest to scholars and specialists, while a large part is accessible to non-specialists, too, which makes the book useful also to university students interested in the subject as well as amateurs of Tibetan art.

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Über die Autorin bzw. den Autor

Erberto Lo Bue obtained his Ph.D. in 1981 at SOAS (University of London) and is now Associate Professor at Bologna University. Most of his publications - including two books on Gyantse - are related to Tibetan, Newar and Indian art.

Von der hinteren Coverseite

This volume deals with specific issues related to Tibetan art, ranging from the earliest Buddhist buildings in central, southern and eastern geocultural Tibet up to the artistic traditions flourishing in the 20th century. The papers are arranged following the chronology of the sites or the themes taken into consideration in the first part and logical criteria in the latter part. Illustrated with numerous black-and-white pictures and 32 pages of colour plates, its contents are of special interest to scholars and specialists, a large part is accessible to non-specialists, too, which makes the book useful also to university students interested in the subject as well as amateurs of Tibetan art.

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